Music Creators


Luis Clavis contemplates his white male privilege

With sarcasm, self-deprecation, vulnerability

In Concert Photo Gallery: Blackie & The Rodeo Kings

February 21, 2020

Les Hay Babies: Like a Soap Opera

Boîte aux lettres is a concept album based on correspondenc...

In the Spotlight: Indigo

Embracing pop hooks, hip-hop beats

Jeff Hazin: Co-writing, co-producing for Ren, Anna Sofia

Self-deprecating arts obsessive needs to be creative

William Hennessey: Rapper at Heart

We speak with this truly free spirit

Ludovick Bourgeois: A Team Player

“2” sees him stand on his own two feet… but well ensco...

Andrew Lee composes first score, for North Korean hockey doc

Film editing choices often dictated by his music

How’d it happen? “Abatina” goes from Kobo Town to Santana

Via Calypso Rose, and negotiation with Roaring Lion’s son

Mon Doux Saigneur : The Lament of a Generation

“They’re complaints of consternation about the choices p...

Annie Sama: Kill them with kindness

Her music is a thermal shock

Photo Gallery: Clay & Friends

Explosive show marks release of Grouillades

Kayla Diamond: Trading law books for pop hits

Late-blooming singer-songwriter did well to change lanes

Maude Audet: All the lives-after-deaths

Tu ne mourras pas has a much more orchestral envelope

Hitmakerz: Advocating for the Nunavut sound

Label founder Thor Simonsen is on a mission

Tarun Nayar and the 5X Fest

Uniquely championing South Asian youth culture

SOCAN Classics: “C’est Zéro” by Manuel Tadros (1990)

SOCAN Classics: “C’est Zéro” by Manuel Tadros (1990)

Mathew V: Co-writing, singing “outside the box”

Former soul/pop crooner re-invents himself

Caveboy: friends, creative partners grow up together

Synth-pop trio’s first album is a summit of their relation...

Pierre-Luc Rioux: Get in line!

Building bridges between L.A. and Montréal

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