Features


Marie-Mai: A no-holds-barred interview

She no longer lets others dictate the rules

Antoine Corriveau: The Voice of Truth

Songwriter burns all his masks on Feu de forêt

How does Jessica Mitchell co-write her songs?

Literally, it’s the art of conversation

In the Spotlight: JESUS CMPLXX

Goodbye Music Marketing Job, Hello Artist Life

Stéphanie Boulay: “My whole being wanted to create songs”

Introduces her first solo album, Ce que je te donne ne dispa...

Scoring “Pretty Woman: The Musical” on Broadway

Bryan Adams & Jim Vallance climb a new learning curve

In the Spotlight: Jon Vinyl

Gorgeous, Sparkling R&B Vignettes

Pascale Picard: Behind closed doors with jangled nerves

Mid-30s songwriting mom makes solo comeback

Matt Mays – Seeing double

With acoustic twin of “broken-hearted party-rock” album

Richard Reed Parry: The Journey over the Destination

“To me, it’s like painting with words”

Wild Rivers: Succeeding on Spotify

With their self-described “folk 'n’ roll and country sou...

Lisbon Lux Records turns five

“I see us as an organic, GMO-free farm”

Decision-Makers: Alan Cross

A day in the crazy-busy life of longtime broadcaster

Ariane Moffatt: Resting on Fragile Things

“I dig up what we don’t see in people”

Marie Davidson: Adieu to the Dancefloor

Montréal producer offers a peek at her diary

New “Old Direction” for Dennis Ellsworth

A ‘90s rock vibe album, then more focus on songwriting

Soran: Jack of all trades

At 20, the multi-instrumentalist knows exactly what he wants

Megative throw an apocalyptic, punky reggae party

Inspired by what The Clash did in 1982

Heroic Publisher, Legendary Facilitator

John Alexander’s work with Alanis highlights brilliant car...

Shifting gear, digging roots

Kaia Kater pushes forward while fractured