• “The central challenge is nailing the emotion the director wants. What you do has to mesh with their story. That’s the craft.”
  • “There’s a much greater technical aspect than there used to be [in film composition]. If you don’t understand or don’t enjoy tech, you’re in trouble.
  • “You’ve got to keep working. If I had turned down MOWs because I only wanted to work on Canadian independent films, I might not have gotten District 9.”