Robert Normandeau: Weather’s Always Nice in the Metro

Electro-acoustic composer writes a piece for Montréal subwa...

Alexandre Désilets: Sowing Beauty

His latest, ambitious orchestral project marks the end of a ...

Jean-Michel Blais: Apartment Music

The pianist draws fans of Radiohead and Debussy alike

Jean Derome: Fight for your right

12 months to celebrate 40 years of daring music

Uninvited Guests: Exploring Glenn Gould

Radically updating legendary pianist’s performances of the...

More than $50,000 distributed in 2015 SOCAN Foundation Awards

To young composers

Alice Ping Yee Ho’s cultural exploration

Collaboration, ambition, and a curious mind

Gilles Tremblay : Témoin de la vie

L’année 2009-2010 aura été riche et faste pour le compo...

In her latest work, composer Juliet Palmer explores female aggression

In-your-face music

Composer John Burge is melding his musical languages

Instrumental and choral convergence

Mixing it up

Peter Togni is both a classical and jazz composer

Composer James O’Callaghan

Blooming late, winning awards

Julien Mineau and Fontarabie

Home Sound Lab

Youth Orchestras playing Canadian composers

And playing an integral role

Eric Radford and Louis Babin

A real power team

Yves Léveillé: A walk in the woods

In the composer’s own words, his jazz writing is a quest f...

Owen Pallett has something to prove

“I get too wrapped up mentally in the music I’m making a...

In Concert: TSO affiliate composer Kevin Lau

“I feel very privileged. This position has given me amazin...

Preserving a life’s worth of Rudolf Komorous’ work

From suitcases to cyberspace

Haralabos (Harry) Stafylakis tends toward the Romantic tradition

Growing classical music from metal roots