Dance


Vandelux: Hedge fund COO becomes full-time singer-songwriter

Ever-evolving electronic/dance musician hits 80 million stre...

Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

Rêve: Writing to Make You Dance

“I felt I needed to be taken seriously as a songwriter”

Moses Belanger’s musical coming-out

“SOCAN’s Kenekt Studio camp gave me the kick in the butt...

Six “Queb” beatmakers to watch, 2023 edition

Close-up on the ones changing Québec’s musical landscape

Photo gallery: Osheaga 2023

SOCAN members shone during a record-breaking edition

Jayda G’s Family Affair

DJ/Producer moves further into songwriting – lyrics and al...

Debby Friday’s Good Luck

A unique musical hybrid for the digital age

Sean Fischer Goes Global

Via major success in Korea, Mexico… and with Celine Dion

The Level-Headed Approach of Super Plage

Magie à minuit offers 10 delicious dance-pop gems you’ll ...

Gayance: Everything, Everywhere, All At Once

“I’m trying to bring people back to partying, but also t...

On the rise again: Jully Black, Glenn Lewis, Shawn Desman

All releasing new music for first time in a decade

SOCAN honours Shaun Frank, AJ Healey with No. 1 Song Award

For co-writing on “Paper Walls”

Milk & Bone: A Lesson in Cocooning

Duo evolves form without distorting substance, on Chrysalism

Xela Edna & Eius Echo: Music as a performance sport

“We want to make a physical demonstration, to feel alive...

TDJ: Geneviève Ryan-Martel, Re-invented

From Playground to playground

Pierre Kwenders: Healthy Collaborations

“I’ve learned to be a better version of me while I was w...

DJ Shub’s War Club celebrates and protests with album, TV show, tour

“Godfather of Powwow Step” opens doorway to Indigenous c...

DJ Killa-Jewel: Head in the Stars

With Sagittarius, world-renowned turntablist begins new chap...

The Darcys on their SOCAN Song Camp experience

How did it influence their work?

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