Quebec


Les Shirley : The magic that happens when you give more

Trio enlists Marie-Pierre Arthur on production for More is M...

Milk & Bone: A Lesson in Cocooning

Duo evolves form without distorting substance, on Chrysalism

Video – ADISQ 2022: Souldia, it pays to persevere

Il a remporté le Félix de l’Album de l’année – Rap

Video — ADISQ 2022: Lisa Leblanc, Fun First

Elle a remporté le Félix de l’Album de l’année – Po...

The Renaissance of Anatole

“I wanted to do a 180 and explore another avenue”

Daniel Bélanger: A Metaphor for Life

“A song’s lyrics are like [part of] a couple… they nee...

Thaïs: “OK, it’s sad, but let’s dance”

She presents her début album, Tout est parfait

SOCAN helps showcase emerging Montréal Anglophone members in Los Angeles

Aiza, Clerel, Kallitechnis among beneficiaries of new progra...

#ComposersWhoScore : Organ Mood In “Viking” Mode At TIFF

Christophe Lamarche-Ledoux and Mathieu Charbonneau score St...

Narcisse: De-constructing Everything

“I’m not sure the industry would’ve been ready for all...

Matiu: Songs of the torn-apart

Working alongside Louis-Jean Cormier on Tipatshimushtunan

Tronel: Beyond The Anticipateurs

“Some make real rap; I make surreal rap”

One-Man Orchestra Paul Jacobs

"Designing the cover, performing, drumming, playing guitars,...

Wesli: Keeping Music as a Souvenir

“We didn’t take what our ancestors left us seriously”

Publishing: APEM celebrates 20 years, at the Francos

An interview with the association’s executive director

Decision-Makers: Joëlle Robillard, Executive Director of Musique Nomade

“You can’t cherry-pick a single fight, you have to fight...

Claudia Bouvette : Heaven Can Wait

“Maybe I write songs to liberate myself from something”

Maryze: Breaking the cycle

First album 8 proves she’s mastered the codes of pop

Marilyne Léonard: Inventing her own puzzle

“I’m glad I’m part of this youth cohort that’s wakin...

Advance Québec: Moving Québec’s music industry forward

An interview with Widney Bonfils, Chairman of the Board

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