Feature Stories – Artists


Connor Seidel: “1969,” A Quiet Revolution

He evokes mythical musical year with collaborative project

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

How did the song happen? – “Boys”

Emily Reid on co-writing the No. 1 Dean Brody / Mickey Guyto...

Thus Owls’ light journey

“Music doesn’t need to have a name”

Neon Dreams come true in South Africa

JUNO-winning duo go Platinum there

Corneille’s lessons

“There was another crisis: the one of words”

In the Spotlight: Astrokidjay

“On a whole new wave” with major label debut

TiKA: Fighting for representation in the realm of screen composing

“The whole movie industry needs to change”

Janal Bechthold scores new virtual reality documentary, The Choice

And works consistently for gender equality

Laura Roy goes from small-town roots to Grammy nominations

DIY singer-songwriter gets onto a Doja Cat album

NOBRO: As if the world no longer existed

“Rock is a way of life. When you love it, you play it, no ...

#ComposersWhoScore : Three to Watch

Anaïs Larocque, Evan MacDonald, Benoit Groulx

Jade Eagleson: From the farm to the Top 10

“Co-writing levels your game up,” says country star

Ariane Roy: Betraying her age

“These songs offer extreme scrutiny of who I am”

How lucky is Ashley Jane?

Co-write with Stephen Krecklo synched to upcoming feature fi...

Jean-Michel Blais: 100 pages of sheet music later…

“I’m not a revolutionary, I’m a popularizer”

Amanda Rheaume finds her place

In the Spaces in Between

Opening Dan Mangan’s Side Door with SOCAN

Working hand in hand to ensure fair compensation for music c...

ElyOtto’s “SugarCrash!”: fourth most-liked TikTok ever, and 100 million Spotify streams

Writing some of the most popular songs on earth… while rid...

How the Song Happened: “New Old Trucks” by James Barker Band featuring Dierks Bentley

It describes such a shared experience that country star Dier...

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