Features


Savannah Ré captures the back and forth of desire

And remains unlimited by stereotypes of marriage

Michael McCarty’s seven-year transformation of SOCAN’s Membership Strategy

Building an A&R team, re-patriating members, fostering bette...

Fredy V and The Foundation are out to make you move

“Knowing these musicians are going to collect royalties, t...

PittThaKid: Fast-rising producer blends old and new schools

Cooking beats for Young Thug, 2 Chainz, the late Pop Smoke

Pierre Kwenders: Proud of his history

“I tread slowly”

In the Spotlight: Crown Lands

Psych, prog, folk, and blues, all with the right chemistry

Imposs : Retrospection

“As a marginalized person, it’s my right, even my duty, ...

Mélodie Spear

After vying in every competition, she gifts herself a bold d...

Pivoting to perform in pandemic

Playing Drive-Ins, Micro-Concerts, Unique Tour Spaces

BEYRIES: Encounters of a New Kind

“I’ve come to love this trade, thanks to the exchange I ...

Decision-Makers: Matt Maw of Red Music Rising

Director of new Indigenous record label / management compan...

Zach Zoya: When the Journey is the Goal

Versatility is his “primary musical value”

How to release music during a pandemic: four examples

“The show must go on” is more true now than ever

TOBi: Writing songs that are both timely and timeless

While exploring Black joy as a form of resistance

Adamo: Giving it time

“People only see talent when it hits them in the face”

SOCAN members make it onto the Obamas’ playlists

An honour, and a bump in publicity

Comment Debord: All seven of them at once

“Our songs resonate both with 20-year-olds and old Parti Q...

How the song happened: Cory Marks’s “Outlaws & Outsiders”

Co-writer Kevin Churko brought in some heavy-hitter guests

Bobby Bazini : A need to move

“This time, the responsibility for the project was my own....

Jessy Lanza: Daring to be vulnerable

While adapting to the new reality of the pandemic

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