For Aphrose, motherhood clarified her purpose

Neo-soul singer moves from background to forefront

Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

#ComposersWhoScore : Medhat Hanbali, The Specialist

A conversation about the trade and how it’s learned

Jayli Wolf goes inward to reveal “the real me”

Anishinaabe/Cree multi-hyphenate focuses on music

Terra Lightfoot’s Unique Path

A mountaintop epiphany changes her trajectory

For Fefe Dobson, melody comes first

Returning on a wave of resurgent pop-punk

Rêve: Writing to Make You Dance

“I felt I needed to be taken seriously as a songwriter”

SOCAN at MaMA Festival in Paris

We interview Fredz, Mimi O’Bonsawin, Mayfly, Ariane Roy

Arielle Soucy : Songs You Can Inhabit

She’s presenting her first album, “Il n’y a rien que j...

Gala Country: The Year’s Five Breakthrough Artists

Discover artists nominated in 2023 edition

Dominique Fils-Aimé, from the roots to the treetops

New trilogy begins with plant life connection to Mother Eart...

Fléau Dicaprio : somewhere between first and second degree

He explodes on the rap Québ scene with “Chien mangé chie...

Engaging storyteller Danny Michel puts it all out on the table

Overcoming isolation, writers’ block to deliver Ghost Town...

La Force : Through Thick and Thin

“Ultimately, no one is protected from death”

Jeremy Dutcher “turns everything up a dial” for sophomore album

First time releasing original songs, singing in English

Moses Belanger’s musical coming-out

“SOCAN’s Kenekt Studio camp gave me the kick in the butt...

Salebarbes: Beyond accents, a single language

Acadian quintet releases third album of festive originals

Kevin Drew scores The Movie Man documentary

Working quickly, guided by his love of cinema

Allison Russell is back with The Returner

A conscious party of circle-work celebration

Music for Good: “Changing” the workplace with a song

Lunar Studios residency trio tries to improve women’s expe...