Features


The Breakdown: Song Rights versus Master Rights

What are the differences?

Anna Arrobas’ Shadowy Side

Made to Touch is a little gem of ethereal pop

How Victoria Anthony seized her moment

At 17, she’s reaching millions, in control of her career

The Breakdown: Playing and recording other peoples’ music

How it works, from a copyright perspective

Five Québec rap rookies to watch in 2023

Izuku, Joseph Sarenhes, Sloan Lucas, Guessmi, Chung reveal t...

Sacha breaks through with “What the Truck”

Co-write with The Reklaws lands her in the fast lane

Dylan Sinclair presents No Longer in the Suburbs, deluxe edition

R&B singer-songwriter breaks down his key elements of creati...

Around the world with Kizaba

« C’est l’univers entier que je propose! »

#ComposersWhoScore: Samuel Laflamme: the Empathetic Outlook of Music

« Peu importe le projet qui m’est offert, j’évalue l...

The Best of 2022

Our Contributors’ Top 10 Songs by SOCAN members

DJs are turning the tables

Disc jockeys 4Korners, Rosegold, Junia-T become artists

Digawolf reflects true North

With gruff voice, sonically manipulated guitars

Les Shirley : The magic that happens when you give more

Trio enlists Marie-Pierre Arthur on production for More is M...

Photo Gallery: APEM-CSDEM Canada-France Songwriting Camp

Meetings with music publishers also took place

Milk & Bone: A Lesson in Cocooning

Duo evolves form without distorting substance, on Chrysalism

Nickelback presents Get Rollin’ – its first album in five years

Chad Kroeger, Ryan Peake, on co-writing songs about “the g...

On The Other Side, Chxrry22 does what she wants

First woman signed to The Weeknd’s XO Records

Video — ADISQ 2022: Lisa Leblanc, Fun First

Elle a remporté le Félix de l’Album de l’année – Po...

Music as Medicine

Alysha Brilla, Desirée Dawson, Lia Liza share its healing p...

The Renaissance of Anatole

“I wanted to do a 180 and explore another avenue”

openpopup