Features


Alicia Moffet: The DNA of a Winner

“I was anxious for people to remember me as more than a Yo...

How songwriter/producer Junia-T became a Studio Monk

Collaborative approach earns a place on 2020 Polaris Short L...

Backxwash: breaking with the past

Against all odds, she finds herself on the Polaris shortlist

In the Spotlight: LOONY

Music keeps her out of trouble

Poirier: Local and universal, like convenience store fireworks

He releases his eleventh album, Soft Power

Julian Taylor nous parle de son album The Ridge

L’« outsider » tourne son regard vers le passé, ave...

In the Spotlight: Uptown Boyband

Eclectic Toronto K-pop trio

In the Spotlight: Pantayo

Modernized kulintang gets short-listed for 2020 Polaris Musi...

The well-measured ambition of House of Wolf

Québec producer duo is on the rise

Producer / Songwriters respond to anti-Black racism by creating music

The story of the Stronger Together Sample Pack

Guylaine Tanguay: “I want to ‘de-tacky-fy’ country music”

With new album and tour of drive-ins, she’s in summer mode

Shotto Guapo: On the Road to Freedom

“Music is a powerful tool”

Publishing: Christophe Piot, founder of Write Here Music

From major companies in France to a “chic boutique” of h...

David Campana: Daring to be himself

“I enjoy the ambiguity of being not quite a singer, and no...

What have SOCAN #ComposersWhoScore been doing during self-isolation?

Re-inventing, regenerating, supporting, strategizing

Klô Pelgag: Sorrow, joy, and the bridge between them

Confessions of a singer-songwriter in a class all her own

Publishing: Marc Costanzo and Inside Music Nashville

From stealing sunshine to a unique combo of pop and country

The Ultimate Guide to the Alaclair Ensemble family

Influential “Rap Queb” collective reviews its repertoire...

Decision-Makers: David Farrell

Renowned journalist/editor provides indispensable info with ...

TOPS: Timeless

“The timeliness of a sound or a musical style suddenly doe...

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