Features


Rachael Bawn: Signed by chance

Former young women’s counsellor writes about serious issue...

Corneille, Unfiltered

“Often, getting to the bottom of things means remembering ...

Jessica Stuart: Finding a long-lost friend in Japan

Search becomes a song, a film theme, a CBC documentary

Heartstreets: Ready for Takeoff

Duo on the verge of reaping what they’ve sown

Lou-Adriane Cassidy: She’s not just one thing

At 21, she offers timeless sounds, states of mind

#ComposersWhoScore: Nathalie Bonin, L.A. Woman

Conquering movies, TV, videogames

In the Spotlight: Madison Kozak

Making music to connect people

Clay and Friends: A Beautiful Mess

Stage antics, studio experimentation

Ingrid St-Pierre: The Realm of Possibilities

“Petite plage really is just that. It’s me giving myself...

Five “Queb” rap rookies to watch in 2019

Maky Lavender, Naya Ali, Kirouac, Tizzo, White-B

Brandon Mig: Jet-propelled takeoff

Very first single becomes 2018’s most played song on Québ...

How does Simon Ward of The Strumbellas write songs?

“Melody, melody, melody”

Making It in Nashville

Four SOCAN members newly emerging in Music City

Jennifer Wilson: choosing creative process over technology

Her children’s book similarly fosters a love of compositio...

EIGHT PICKS FOR 2019

Keep an eye on these SOCAN members, poised to emerge this ye...

Working on scores for Justice League, Fifty Shades Darker, The Grinch

Mikel Hurwitz: Inspired by Welsman, learning from Elfman, sh...

Caracol: Constantly Re-defining Her Music

Treading new musical path with Symbolism album

Dave Pelman: The Scoring King of Clash-A-Rama

Also runs music library, composes for others

Kenekt-written songs released

Nine co-writes created at SOCAN Song Camps launched as singl...

Publishing: Ad Litteram

By the songwriter’s side, for the last 20 years