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Renée Martel: Choosing a New Season to Start Over
SOCAN Lifetime Achievement winner launches L’arrière-sais...
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Music publisher ole appoints Helen Murphy as new CEO
Former CEO Robert Ott continues to serve as advisor
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Welcome to our fresh new mobile look!
SOCAN launches redesigned app
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Publishing: Handling all the rights, all the time
Jodie Ferneyhough of CCS Rights Management
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Québec’s female artists go pop
A captivating round-table presented by SOCAN and Coup de cœ...
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Sound Advice – The Breakdown: Copyright
What is it? What do you need to know about it?
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Antoine Corriveau: The Voice of Truth
Songwriter burns all his masks on Feu de forêt
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Gabrielle Papillon wins SOCAN honour at 2018 Music Nova Scotia Awards
Mo Kenney, David Myles, Maxim Cormier win two awards each
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Partner perform “Play the Field” at SOCAN office
Winning song in 2018 SOCAN Songwriting Prize
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In the Spotlight: JESUS CMPLXX
Goodbye Music Marketing Job, Hello Artist Life
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How does Dan Mangan write his songs?
Effect of fatherhood, value of vulnerability
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Vote now for 2018 Maple Blues Awards!
Sue Foley, Colin James earns six nominations each
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Stéphanie Boulay: “My whole being wanted to create songs”
Introduces her first solo album, Ce que je te donne ne dispa...
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ADISQ Awards 2018: Lapointe & Moreau, a winning combination
Interview with winners of Adult Contemporary Album
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SOCAN welcomes Copyright Board Reform
Containing provisions to improve effectiveness
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Scoring “Pretty Woman: The Musical” on Broadway
Bryan Adams & Jim Vallance climb a new learning curve
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Loud at 2018 ADISQ Awards: Looking back on a record year
Backstage talk from winner of Hip-Hop Album of the Year
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