Music Industry


Music for Good: The Lullaby Project

Songwriters team with new or expectant mothers to create lul...

SOCAN Urges Government to Adopt Principles that Respect Music Creators when Regulating AI

“AI must not replace human creativity and culture. Creator...

For Aphrose, motherhood clarified her purpose

Neo-soul singer moves from background to forefront

SOCAN at MaMA Festival in Paris

We interview Fredz, Mimi O’Bonsawin, Mayfly, Ariane Roy

Welcome to the era of fast-rising star LU KALA

Hardworking, ambitious singer-songwriter goes pop against st...

Musicaction serves both music-makers and their ecosystem

Listening to communities in order to better serve them

The continuing, crucial importance of FACTOR

Supporting Canadian music with new flexibility

Andrea England serves her community with Four Chords and The Truth

Series for songwriters, built by a songwriter

How the song happened (in 14 years): “Catchin’ Grasshoppers”

New Kenny Rogers LP includes song written by Laura McCall To...

How the Song Happened: TALK’s “Run Away to Mars”

How it was created, how it went viral

Star producer Stephen “Koz” Kozmeniuk

“I feel like an outsider in the pop-industrial complex”

Kilometre Music Group, Two Years In

Building “the Times Square of music creators”

Decision-Makers: Dana Lluis

She manages Lary Kidd, Laroie, programs Ausgang Plaza, more

Publishing: Éditions Bonsound

An interview with Marie-Ève Rochon

SOCAN recognizes Black History Month

Extending everyday coverage

Sacha breaks through with “What the Truck”

Co-write with The Reklaws lands her in the fast lane

Industry: Ray-On, a 360-degree musical offering

Music supervision, rights clearance, original screen music c...

Photo Gallery: First Connexions cocktail: success!

[:fr]Membres SOCAN, acteurs de l’industrie et employés de...

Video — ADISQ 2022: Lisa Leblanc, Fun First

Elle a remporté le Félix de l’Album de l’année – Po...

Industry News – First Up with RBCxMusic

Helping artists with funding, marketing, education

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