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Luis Clavis contemplates his white male privilege
Month: February 2020
RIDEAU 2020 : Environmental Responsibility on Tour, in Venues
Panel features Geneviève Côté, Laurence Lafond-Beaulne, D...
Top Secrets: LGS’ “Thirsty” and “On perd la tête”
Discover the secrets behind those two chart-toppers
SOCAN revenues top $405 million in 2019
But low average streaming royalties require dramatic, quick ...
Jeff Hazin: Co-writing, co-producing for Ren, Anna Sofia
Self-deprecating arts obsessive needs to be creative
Twenty-five SOCAN members earn Canadian Screen Awards 2020 noms
March 31 gala to be broadcast live on CBC-TV
Andrew Lee composes first score, for North Korean hockey doc
Film editing choices often dictated by his music
Video Interview: Voodoo Highway Screen Composers Brian Pickett, Graeme Cornies
On scoring hugely successful animated series Daniel Tiger's...
How’d it happen? “Abatina” goes from Kobo Town to Santana
Via Calypso Rose, and negotiation with Roaring Lion’s son
SOCAN Foundation announces participants for 2020 development program
TD Incubator for Creative Entrepreneurship to foster music c...
Mon Doux Saigneur : The Lament of a Generation
“They’re complaints of consternation about the choices p...
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