Features


WD-40: Surviving The Deluge

Heartbreak at the heart of the cult band’s reunion

Snails: Bursting Out of the Shell

Montréal DJ/producer makes waves worldwide with “vomitste...

Remembering Gord Downie

For songs that bring us closer in, toward reconciliation

Nicole Lizée: Woman Machine

Jan V. Matejcek Award winner fascinated by obsolete technolo...

London, Ontario: Music City

Growing the scene with an official office

Andréanne A. Malette: She did it all her way

Singer-songwriter bets on complete control

The Weather Station writes, records her “most ballsy” album

Tamara Lindeman gets more assertive, earning rave reviews

In the Spotlight: Heartstreets

“Having integrity, following instinct, expressing what we ...

Pro songwriter Emma-Lee had her own recording to do

Still co-wrote songs, but produced with ‘80s/’90s pop fe...

Mara Tremblay: Free, with her loved ones

“I threw away what broke me”

Canadian Classics: “Jamaican Funk — Canadian Style” (1990)

Writers: Michie Mee, L.A. Luv, King Lou, Maximum, Phillip Ga...

Philippe Brach: Organizing Chaos

“Le Silence des troupeaux” is brief, sombre, dense

Loud looks back on “A Record Year”

Montréaler re-visits the writing of 10 new songs

Setting creativity ablaze with La Bronze

“I want women to stand up and impose their puissance”

The role of Artificial Intelligence in Music

It can disrupt creation, but improve royalty tracking

An exclusive interview with world-renowned DJ A-Trak

Turntablist, producer, remixer, discusses his craft, history

Ryan Kennedy Finds Inner Peace

But reveals a dark side on wise, gentle sophomore album

Maude Audet: Writing in Balance

Her Ariane Moffatt-produced Comme une odeur de déclin album...

Dany Placard renovates his facade

With sixth solo album, he goes in a new direction

Entrepreneurs: Justin Gray and Songistry’s new MDIIO service

An online community where songwriters can collaborate, netwo...