The Transformation of DawaMafia

Infréquentable album: a telling artifact of the duo’s evo...

Beau Nectar : Joining Forces

“We’re bilingual without being Québécois, so it’s di...

How the Song Happened: TALK’s “Run Away to Mars”

How it was created, how it went viral

Call Security!

Supergroup La Sécurité releases debut album, Stay Safe!

Reprise: How Black Toronto creatives are the future of the world

Local culture-makers are having global impact

SOCAN at 2023 Rendez-vous Pros des Francos

On the scene everywhere at this important festival

Digawolf reflects true North

With gruff voice, sonically manipulated guitars

Debby Friday’s Good Luck

A unique musical hybrid for the digital age

Steven Vitali and The Jewels of the Salton Sea

Multi-hyphenate composed soundtrack while directing movie

The Great Ascension of Parazar and Ya Cetidon

Both featured in SOCAN’s Showcase during Francos de Montr...

Reprise: “Black history, Black future”

What would a “post-racial” future look like? And how do...

Star producer Stephen “Koz” Kozmeniuk

“I feel like an outsider in the pop-industrial complex”

Philippe B : Mastering the ordinary

“I love the irony of a restaurant changing owners while th...

Artists Feel Out Loud for Youth Mental Health

Amplifying support for Kids Help Phone

Sean Fischer Goes Global

Via major success in Korea, Mexico… and with Celine Dion

Leith Ross’s “We’ll Never Have Sex” resonates with listeners

Proving that the personal can be universal

Kilometre Music Group, Two Years In

Building “the Times Square of music creators”

SOCAN Classics: “Un peu plus haut, un peu plus loin” (1969)

Ironically, Jean-Pierre Ferland never thought this song woul...

Meghan Oak: Capturing Her Own Light

“Artist entrepreneurs deserve as much spotlight and suppor...

Hippie Hourrah: A Willingness to Get Lost

“What’s interesting is the guiding principle”