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Émilie Kahn: In the wake of a crisis

Spontaneously creating her second album, Outro

Jessica Stuart: Finding a long-lost friend in Japan

Search becomes a song, a film theme, a CBC documentary

Upstarts: Hex update riot grrrl sound

Young band also challenges dismissive sound people

Thus Owls : Tearing Down The Wall

“Sweet and chill moments, with weirder times… That’s l...

Klô Pelgag at 2018 ADISQ Awards: What makes a great singer?

Backstage with Female Singer of the Year

Megative throw an apocalyptic, punky reggae party

Inspired by what The Clash did in 1982

Les Louanges : Bold, Agile, Nonchalant

Standing apart on the Québec music scene

Upstarts: The Discarded

Family band’s teen sons garage-rock the house

U.S. Girls’ unique vision finds unlikely indie-rock breakthrough

Meg Remy leads listeners to difficult subjects with alluring...

Jean-Michel Blais deconstructs his Dans Ma Main album

“What we hear says more than what’s said”

In the Spotlight: FRIGS

Exploring tension, unifying disparate recordings

Grimskunk: Healthy, Necessary Rage

Band launches ninth album, just shy of 30th anniversary

Lydia Képinski deciphers Premier Juin

She sings about love and death with stunning poetry

Simon Kingsbury: In Simon’s Head

Artist faces his demons on Plaza

Suuns: The Mixtape Spirit

With Felt album, Montréal quartet takes a new turn

Nate Husser: No Detours

From Posterz to Charlotte Cardin, Montréal rapper charts hi...

Keith Kouna: Uncompromising

Corrosive Bonsoir Shérif returns to his punk roots

WD-40: Surviving The Deluge

Heartbreak at the heart of the cult band’s reunion

Sound Advice: Maylee Todd’s Indie Musician Toolkit

A dozen ways to help you move forward

Nicole Lizée: Woman Machine

Jan V. Matejcek Award winner fascinated by obsolete technolo...

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