Music Creators


Lou-Adriane Cassidy: Is this fun, or what?

“It’s not because the songs are short that they’re lik...

The Complementary Yin and Yang of Command Sisters

Charlotte dresses up the songs, Sarah puts on the rouge

Jay Scøtt: Whatever It Takes

“What I like is creating songs and recording them at home...

SOCAN Houses a great benefit for members

Places to stay, write, rehearse, record – in Nashville and...

Avoid tax season blunders: Ensure your SOCAN tax info is accurate before Dec 1st

Here’s everything you need to know!

Decision-Makers: Julie Gariépy

Executive Producer / General Manager of ADISQ Galas has clim...

From Windsor to Nashville with Jake Diab

Ambitious musician is a Jack-of-all-trades

Urbano Queb : The New Latino Wave

An overview of Québec’s Urbano movement, characterized by...

AXLAUSTADE: Generation 90

Anything but a nostalgia project

In the Spotlight: Stars align for Jade LeMac’s “Constellations”

Young TikTok success normalizes conversations around sexuali...

James Baley fuses Gospel vocals with house music

And boldly tells his Story

In Concert Photo Gallery: Osheaga 2021, Montréal

October 1-3, 2021

Ishkode Records: Creating narrative sovereignty for Indigenous music

Shoshona Kish, Amanda Rheaume make history with new label

In Concert Photo Gallery: 15th Anniversary edition of Manifesto

September 11, 2021

#ComposersWhoScore : Stéphanie Hamelin Tomala stands out from the pack

“We need more women in this business”

Songwriter/producer Karen Kosowski’s knack for collaboration

“Every step in the process of producing a song informs the...

In Concert Photo Gallery: The George Street Festival

August 27 – September 1, 2021

Smiley: Drake-backed rapper goes “Over the Top”

His unique vocal style poised to make waves in the U.S.

From niche playlist to go-to Indigenous catalogue

Nagamo Publishing’s production music library

Publishing: Nicole Beausoleil, winner of the 2021 Christopher-J.-Reed Award

“The revolution in our trade is near”

openpopup