Features


Decision-Makers: Joëlle Robillard, Executive Director of Musique Nomade

“You can’t cherry-pick a single fight, you have to fight...

SATE: From self-doubt to revelation

“This is my rock! This is my voice!”

Modlee: Inner Voyage

“I embrace myself in my imperfections”

#Composerswhoscore: Bespoke work with Frannie Holder

“It’s comforting to work for someone else”

Nuela Charles awakens her confidence

Co-writing opened up a new world for her

Claudia Bouvette : Heaven Can Wait

“Maybe I write songs to liberate myself from something”

In the Spotlight: Nano Talrose

From soft pop balladry toward slightly rockier sounds

Maryze: Breaking the cycle

First album 8 proves she’s mastered the codes of pop

Decision-Makers: Che Kothari

Manifesto founder now raising awareness about soil extinctio...

Marilyne Léonard: Inventing her own puzzle

“I’m glad I’m part of this youth cohort that’s wakin...

How did the song happen? – Jody Upshaw’s “Straight Shooter”

Getting synched into hit TV show Euphoria

Advance Québec: Moving Québec’s music industry forward

An interview with Widney Bonfils, Chairman of the Board

For Adria Kain, the songs arrive in their own time

It can take a few minutes… or several years

Tanika Charles launches “the most difficult album to create”

The Night Butterfly emerges out of pandemic cocoon

Lights: Making pop with PEP

And rocking harder than ever

Connor Seidel: “1969,” A Quiet Revolution

He evokes mythical musical year with collaborative project

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

How did the song happen? – “Boys”

Emily Reid on co-writing the No. 1 Dean Brody / Mickey Guyto...

Thus Owls’ light journey

“Music doesn’t need to have a name”

Neon Dreams come true in South Africa

JUNO-winning duo go Platinum there

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