Features


Off the road, musicians look for new means to survive

How our music community is facing the pandemic

Maky Lavender: Halfway between confidence and vulnerability

Debut album in synch with current social climate

P’tit Belliveau: Wide-open music for self-isolating people

“I hope people will find a bit of comfort and forget about...

Apashe: Like a Trap Opera

His “Renaissance” aspires to excellence

Sound Advice: Steve Waxman’s Music Career Guidance

Tips from an “Unbiased Truthsayer”

Music helps in times of crisis

Canada's music brings Canada's people together

Souldia: Behind The Scenes

Eighth solo album “Backstage” tempers his violence

OKAN make Toronto-inspired, pan-global music

Busy Cuban-Canadian duo find strength by combining creativit...

Laila Biali gets personal

As tragedies fuel life-affirming inspiration

Naya Ali: “I trust the universe”

She offers us “Godspeed: Baptism (Prelude)”

Jesse Zubot: They shoot, he scores

Multi-talented musician now established as a screen composer

Allie X: Wanting to be seen

New album Cape God addresses her teenage self

In the Spotlight: Teddi Jones

Early credits with Summer Walker, Shay Lia

LaF’s Community Rap

Everyone has their role to play in this cabin-based fusion r...

Beat Sexü: Aural Polyamory

Pantoum house band scores extra points with “Deuxième Foi...

Self-Isolation: A source of inspiration for SOCAN members

“There’s going to be a baby boom and an album boom!” ...

renforshort explodes onto the scene

Turning teenage angst into scrappy alt-pop

Louis-Jean Cormier: Finding a renewed urgency to create

As he releases “Quand la nuit tombe”

SOCAN COVID-19 update

Taking measures to ensure that our business runs smoothly

Photo Gallery: Matt Holubowski

Plays MTELUS for release of new album Weird Ones

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