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Video recordings and music rights: how to proceed
Music Users
Video recordings and music rights: how to proceed
What permission must be obtained? What types of rights shoul...
SOCAN working with revenue-sharing service Aslice to identify music played by DJs
Aslice provides new revenue stream for electronic/dance musi...
For the first time, SOCAN distributes royalties for music used in TV commercials
From existing TV & Cable licensing collection pools
Video: Side Door, winner of the 2022 SOCAN Licensed To Play Award
Dan Mangan, Laura Simpson discuss their innovative company
SOCAN participates in webinar, The Metaverse: A New Music Marketplace
Examining how the evolution of new online tech might best se...
Meet the new faces of SOCAN’s Reproduction Rights team
Barbara McIvor, Ryan O'Grady, Virginie Bujold-Paré, Jazz Al...
2022 SOCAN Awards: Canada’s Music Creators and Publishers’ Road to Gold
Winners include Tom Cochrane, Lighthouse, Drake, OZ, Boi-1da...
Canadian Live Music Association announces recipients of AID: #FORTHELOVEOFLIVE
Relief fund partnership with SOCAN provides monetary assista...
Live music workers can apply now for one-time $2,500 payment
Unison to administer a total of $16.9 million via Live Music...
Lucie Bourgouin receives 2022 Christopher-J.-Reed Award
Presented during a day celebrating APEM’s 20th Anniversary
Total SOCAN royalties to members increased in 2021 to $353 million
But average SOCAN writer-member realized only $67 for use of...
Canadian Live Music Association launches AID: #FORTHELOVEOFLIVE
Relief fund partnership with SOCAN to provide assistance to ...
SOCAN’s James Leacock presents digital licensing overview on new platform
Canadian IP Voices podcast, blog post, discuss how copyright...
Royalties for digital play in Canada are 69% less for Canadian songwriters, composers
Why Broadcasting Act reform must happen now, Part 1
SOCAN website gets fresh new design and content
Bolder visuals, easier navigation, more user-friendly
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