Collaboration


For New West, final version of each song “depends on what it wants to be”

Collaborative quartet earns more than 100 million views

Sara Dufour: the life she chose

“I’ve realized that every little thing matters”

Decision-Makers: Curtis ClearSky

Executive Director of new Indigenous Music Office

Bollywood North: Jonita Gandhi

Playback singer steps out of songwriting closet with “Love...

Decision-Makers: Magali Ould, General Manager, Secret City Records

“An artist’s commercial potential is never the first con...

Nico Paulo delivers self-assured debut

And takes unique path from Toronto to Portugal to Newfoundla...

Five Québec rap rookies to watch in 2024

Discover Malko, Érika Zarya, King Fali, S’tano, GreenWood...

Music for Good: The Lullaby Project

Songwriters team with new or expectant mothers to create lul...

Walking Through the Fire (of Truth and Reconciliation)

Sultans of String collaborate with Indigenous musicians

For Aphrose, motherhood clarified her purpose

Neo-soul singer moves from background to forefront

Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

#ComposersWhoScore : Medhat Hanbali, The Specialist

A conversation about the trade and how it’s learned

Jayli Wolf goes inward to reveal “the real me”

Anishinaabe/Cree multi-hyphenate focuses on music

Rêve: Writing to Make You Dance

“I felt I needed to be taken seriously as a songwriter”

SOCAN at MaMA Festival in Paris

We interview Fredz, Mimi O’Bonsawin, Mayfly, Ariane Roy

La Force : Through Thick and Thin

“Ultimately, no one is protected from death”

Jeremy Dutcher “turns everything up a dial” for sophomore album

First time releasing original songs, singing in English

Moses Belanger’s musical coming-out

“SOCAN’s Kenekt Studio camp gave me the kick in the butt...

Salebarbes: Beyond accents, a single language

Acadian quintet releases third album of festive originals

Kevin Drew scores The Movie Man documentary

Working quickly, guided by his love of cinema

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