Collaboration


Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

#ComposersWhoScore : Medhat Hanbali, The Specialist

A conversation about the trade and how it’s learned

Jayli Wolf goes inward to reveal “the real me”

Anishinaabe/Cree multi-hyphenate focuses on music

Rêve: Writing to Make You Dance

“I felt I needed to be taken seriously as a songwriter”

SOCAN at MaMA Festival in Paris

We interview Fredz, Mimi O’Bonsawin, Mayfly, Ariane Roy

La Force : Through Thick and Thin

“Ultimately, no one is protected from death”

Jeremy Dutcher “turns everything up a dial” for sophomore album

First time releasing original songs, singing in English

Moses Belanger’s musical coming-out

“SOCAN’s Kenekt Studio camp gave me the kick in the butt...

Salebarbes: Beyond accents, a single language

Acadian quintet releases third album of festive originals

Kevin Drew scores The Movie Man documentary

Working quickly, guided by his love of cinema

Allison Russell is back with The Returner

A conscious party of circle-work celebration

Six “Queb” beatmakers to watch, 2023 edition

Close-up on the ones changing Québec’s musical landscape

Kanen: Words that breathe

“There’s a lot of life in the language of where I’m fr...

Welcome to the era of fast-rising star LU KALA

Hardworking, ambitious singer-songwriter goes pop against st...

#ComposersWhoScore: Kim Gaboury earns three 2023 Gémeaux Award nominations

“Stress isn’t always negative, it can also be stimulatin...

Musicaction serves both music-makers and their ecosystem

Listening to communities in order to better serve them

The continuing, crucial importance of FACTOR

Supporting Canadian music with new flexibility

Jayda G’s Family Affair

DJ/Producer moves further into songwriting – lyrics and al...

How the song happened: “Colonizer,” by Vivek Shraya

Shraya’s work encapsulates love, tension, and humour – f...

Ariane Brunet starts fresh under the name of L’Isle

“There’s more to an artist’s world than just the music...

openpopup