Film & TV


Sound Advice: A Screen Composer’s Guide to TIFF

Or, What to see, where to go, and how to mingle

Publishing: Harris & Wolff

Adapting in the streaming era

Eduardo Noya Schreus: Music in his Blood

Winner of 2016 SOCAN Feature Film Music Award

Avec pas d’casque : Seeking Peace

Effets spéciaux is not a flashy album

Martin Léon: Clothing the Invisible

Songwriter embraces film scoring

Publishing: ole and eOne

Robert Ott, Chris Taylor discuss new deal

In the Spotlight: Aliocha

After stints in TV, film, he’ll reveal himself through mus...

Cristobal Tapia de Veer: It’s a Small World

Montréal screen composer takes on the world

Entrepreneurs: MFP’s Jean Anfossi steps up his game

Small publisher succeeds against all odds

Guy Bélanger: Breathing life into his instrument

Harmonica player alternates stage and screen

Publishing: Outloud, or The Art of Noise

Julien Bidar and Yann Beauregard-Lemay’s vision bears frui...

François Dompierre at the movies: a musical signature

His 50-year career leaves a deep imprint on Québec film cul...

Poirier: In Perpetual Motion

Dancehall, electro, politics, film scores, no boundaries

Denis Sanacore’s lucky stars

The meeting that completely changed his professional career

In the Spotlight: Le Matos

An electro-turbo-retro-futurist duo

Together is better: Jorane and Éloi Painchaud

The creative couple behind the music of La guerre des tuques...

Todor Kobakov: Bitten by the film bug

Applying previously learned skills to current movie scores

Production music on the rise

Creating opportunities, challenges for audiovisual composers

Frédéric Bégin: Beyond the Mirage

Long-standing collaboration with Ricardo Trogi continues wit...

Publishing: David Murphy’s Labour of Love

“This job may be unsung, but it is fundamental in our indu...

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