Film & TV


Amin Bhatia and Ari Posner

From Flashpoint to X Company

The jackpot of sync licensing?

“There’s a lot of money to be made with synchronization...

Antoine Binette Mercier: A composer’s DNA

Resourcefulness, determination and communication

Film & TV scorers Asher & Skratt

Two heads better than one

Film & TV composer Rich Walters

“Be-cool” attitude benefits his career

James Gelfand: Client Before Ego

List of clients includes the likes of HBO, PBS, NBC, Lionsga...

Julien Mineau and Fontarabie

Home Sound Lab

Film composer Jeff Morrow

Forging his own unique path

Bell Media’s Catherine Jones

Jones relies on extensive music industry experience in her c...

Kris Dirksen and Methodic Doubt

Branching out from movie trailers to full soundtracks

Laurent Guardo, Master of the Waves

Laurent Guardo has constantly managed to preserve his distin...

Pierre Létourneau: as on day one

“I was so privileged to earn a living doing what fulfills ...

Working fast and serving a vision

Composing music for a weekly TV series

Arun Chaturvedi keeps up with the Kardashians

From song placements to TV show scoring

La mélodie du 7e art

Catherine Major, Ramachandra Borcar et Martin Léon mènent ...

FM Le Sieur : ses musiques, leurs images!

Il compose en général seul dans son studio maison.

Éric Speed

de virtuose à compositeur

Award-winning children’s music duo Bobs & LoLo

Teaching without preaching

Paul-Étienne Côté

créer sa bonne étoile

Film and TV composer Amin Bhatia started in synthesizers

Scoring career ignited by Flashpoint

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