Les Tireux d’Roches : Digging up the treasure

Québec traditional band rescues songs from oblivion, irresi...

The Weather Station writes, records her “most ballsy” album

Tamara Lindeman gets more assertive, earning rave reviews

Danny Michel, Ken Yates each win two 2017 Canadian Folk Music Awards

Yates, Luc de Larochellière, Twin Flames win songwriting ho...

Philippe Brach: Organizing Chaos

“Le Silence des troupeaux” is brief, sombre, dense

Maude Audet: Writing in Balance

Her Ariane Moffatt-produced Comme une odeur de déclin album...

Dany Placard renovates his facade

With sixth solo album, he goes in a new direction

Tire Le Coyote: Being Yourself and Nothing Else

“It’s how I sing, and that’s that”

Home for Summer with Stage Shows in P.E.I.

Catherine MacLellan, Tara MacLean didn’t have to tour fest...

Beyries: What will you do with your pain?

“My album is post-event process, a post-traumatic growth...

Making Sense of the 2017 Polaris Long List

Selections underscore musical diversity

“For me, music and agriculture go hand in hand”

With its “farmer punk” music, Carotté reaps what it sow...

Aliocha’s Lucky Stars

Moment of truth for the Midas-touch artist

Sophie Pelletier: More Than A Shooting Star

Her album Les météores re-affirms her desire to have an im...

In The Spotlight: AHI, Partner, Stella Rio

Emerging acts in folk, pop-punk, and R&B

Canailles: “S” Team Confidential

The ups and downs of a backflip life

Samuele: A Taste for Freedom

A winged artist with tiny horns

Leif Vollebekk: Spontaneous Generation

Vast majority of Twin Solitude recorded live, with his band

Paul Piché: 40 Years in 10 Songs

Stories of the songs from the man and his collaborators

Better Together: Karen Young and Coral Egan

A highly creative mother-daughter team

The Franklin Electric: Voyage, Voyage

Montréal’s own release second album, Blue Ceiling