How-To Articles/Sound Advice


Audiovisual post-synchronization royalties – don’t miss out!

A guide from Martin Lavallée, SOCAN’s Head of Reproductio...

A beginners’ guide to mixing your recordings, Part Two

Effects

A beginners’ guide to mixing your recordings, Part One

Mixing itself

The continuing, crucial importance of FACTOR

Supporting Canadian music with new flexibility

The Breakdown: Song Rights versus Master Rights

What are the differences?

The Breakdown: Playing and recording other peoples’ music

How it works, from a copyright perspective

Vidéo : Les Pros – La Bonne attitude pour un show épatant, d’après Lou-Adriane Cassidy

Elle nous partage ses conseils pour donner le meilleur spect...

Video: The Pros – The perfect live show, according to Felix of Choses Sauvages

Advice on giving your best performance

The Breakdown: Scoring for videogames

How does it work?

Video: The Pros – Proper onstage attitude, according to Hubert Lenoir

He shares his advice on giving the best possible show

Video: The Pros – CRi shares his advice

A few tips and tricks to give the best possible live show

Video: The Pros – Screen Composer Rob Carli

Explains why scoring is a great career choice if you love wr...

Video: The Pros – grandson on venue size adjustments

The difference between performing in arenas and clubs

Video: The Pros – grandson explains how to best use social media

The different advantages of TikTok, Instagram, and Twitter

Video: JUNOs 2022 – Serena Ryder’s tips for young singer-songwriters

Seven-time JUNO winner speaks from experience

Video: Are you a behind-the-scenes songwriter/producer aiming to be an artist?

Chiiild has some tips for you

Video: JUNOs 2022 – Want a big tip on how to succeed via TikTok?

Let 347aidan tell you what worked for him

Video: The Pros – Screen Composer Amin Bhatia

What’s the difference between scoring for live-action vers...

Video: The Breakdown – What is SPACQ?

The organization’s Executive Director tells us all about i...

Video: The Breakdown – “What’s the best advice for pitching to a music supervisor?”

How to get your songs on-screen, with Michael Perlmutter

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