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Murray Foster’s Toronto Songwriting School
Music Industry/Entrepreneurs
Marie-Hélène L. Delorme : The Québec composer behind the Wayward score
“It’s my special sauce, added to something mainstream”
Editorial Avenue: 25 Years of Human Relations
“We say we manage works, but really, it’s about managing...
Tristan Grant starts first Indigenous-led record label on Canada’s East coast
Castle Records aims to serve and protect First Nations music...
Jenna Andrews co-writes two songs for KPop Demon Hunters
Behind the process of a 350-million-streams success
Making and choosing the music for hit TV series North Of North
How screen composers, music supervisor enhance its identity
Fred Mollin, record man and lifelong SOCAN member
His memoir highlights importance of staying open to new oppo...
Acclaimed Indigenous songwriters named first Massey Hall Artists in Residence
A next-level career pathway for Celeigh Cardinal, Sebastian ...
How Ottawa jazzman Doug Martin scored multiple song placements in Oscar-winning Anora
Anatomy of a Sync
Building a career in France: challenges, sacrifices, dreams, reality
The export strategies of Klô Pelgag, Fredz, Aliocha, Patric...
Goldie Boutilier’s “The Actress”: How the song happened
With a little help from SOCAN’s Liam Russell
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