R&B/Soul


Savannah Ré captures the back and forth of desire

And remains unlimited by stereotypes of marriage

Michael Asante joins SOCAN as first A&R Representative, Rap and R&B

New position to address rapidly growing part of membership b...

Fredy V and The Foundation are out to make you move

“Knowing these musicians are going to collect royalties, t...

Pierre Kwenders: Proud of his history

“I tread slowly”

Pivoting to perform in pandemic

Playing Drive-Ins, Micro-Concerts, Unique Tour Spaces

Zach Zoya: When the Journey is the Goal

Versatility is his “primary musical value”

TOBi: Writing songs that are both timely and timeless

While exploring Black joy as a form of resistance

SOCAN members make it onto the Obamas’ playlists

An honour, and a bump in publicity

For Bahamas, boredom provides motivation

As he writes songs that honour the moment and find forgivene...

New Series! “SOCAN Picks of the Month”

October 2020: Moneyphone, Sael, Hunnah, Jarrel The Young, km...

Shreez: Changing His Life

“I do as I please, but I’m not an idiot either”

Tedy lands on Planet Pop with “Boys Don’t Cry”

“I used to think I wasn’t able to accomplish all this”

SOCAN Awards 2020 Video Interview: Matthew Burnett

Co-writer, co-producer of Daniel Caesar’s R&B Award-winnin...

Honey Jam celebrates 25 years

Official 2020 showcase live from Toronto’s El Mocambo on O...

SOCAN mourns the loss of member Salome Bey, “Canada’s First Lady of the Blues,” at 86

Grammy nominee, Dora Mavor Moore and Obie Award winner, Memb...

How songwriter/producer Junia-T became a Studio Monk

Collaborative approach earns a place on 2020 Polaris Short L...

In the Spotlight: LOONY

Music keeps her out of trouble

In the Spotlight: Uptown Boyband

Eclectic Toronto K-pop trio

The well-measured ambition of House of Wolf

Québec producer duo is on the rise

Producer / Songwriters respond to anti-Black racism by creating music

The story of the Stronger Together Sample Pack

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