R&B/Soul


Laurence Nerbonne: A voice for the Queens

“I dare to deal with topics that only men usually talk abo...

Hua Li: Writing a love letter to Wuhan

She pays homage to her roots on Yellow Crane EP

Dominique Fils-Aimé : Returning to a Lost Paradise

From her mother’s answering machine to the JUNOs

Claire Ridgely: Music Mode = Always On

“It took a really long time to find my voice”

In the Spotlight: JACELYN

From country to jazz/soul, via Canada’s Music Incubator

In the Spotlight: Tynomi Banks

“After I recorded my first song, I was on fire”

Savannah Ré captures the back and forth of desire

And remains unlimited by stereotypes of marriage

Michael Asante joins SOCAN as first A&R Representative, Rap and R&B

New position to address rapidly growing part of membership b...

Fredy V and The Foundation are out to make you move

“Knowing these musicians are going to collect royalties, t...

Pierre Kwenders: Proud of his history

“I tread slowly”

Pivoting to perform in pandemic

Playing Drive-Ins, Micro-Concerts, Unique Tour Spaces

Zach Zoya: When the Journey is the Goal

Versatility is his “primary musical value”

TOBi: Writing songs that are both timely and timeless

While exploring Black joy as a form of resistance

SOCAN members make it onto the Obamas’ playlists

An honour, and a bump in publicity

For Bahamas, boredom provides motivation

As he writes songs that honour the moment and find forgivene...

New Series! “SOCAN Picks of the Month”

October 2020: Moneyphone, Sael, Hunnah, Jarrel The Young, km...

Shreez: Changing His Life

“I do as I please, but I’m not an idiot either”

Tedy lands on Planet Pop with “Boys Don’t Cry”

“I used to think I wasn’t able to accomplish all this”

SOCAN Awards 2020 Video Interview: Matthew Burnett

Co-writer, co-producer of Daniel Caesar’s R&B Award-winnin...

Honey Jam celebrates 25 years

Official 2020 showcase live from Toronto’s El Mocambo on O...

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