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SOCAN Academy: Nikhil Seetharam on Composing for Comedy & Building Your Career
Features
Karolane Carbonneau: the sweet spot between NOBRO and comment debord
“I think we have no choice but to diversify for things to ...
Fred Mollin, record man and lifelong SOCAN member
His memoir highlights importance of staying open to new oppo...
Acclaimed Indigenous songwriters named first Massey Hall Artists in Residence
A next-level career pathway for Celeigh Cardinal, Sebastian ...
Amanda Martinez: Making the music for Recuerdo and Rosie’s Rules
“It took me a long time to call myself a songwriter”
Blynk and Katrine Sansregret: Opposites Attract
Both featured June 19, in SOCAN showcase at Francos de Montr...
Two Women: A feminist score for a new generation
“We got great advice from Tram7 and Fair Enough,” says d...
Paul Daraîche: 60 years in, the legend lives on
At 78, he’s taking one last lap with Un dernier je t’aim...
Dinuk Wijeratne unifies music of multiple cultures with “Identity”
Contemporary classical composer embraces “art song with gl...
Dan Mangan records new album Natural Light in one week at a cottage
Cooking musical “leftovers” into a potent new egg scramb...
Allan Rayman writes, sings new LP as a fictional female character
#1 Girl offers unique left turn for the popular singer-songw...
Muzion’s “La Vi Ti-Neg,” a neighbourhood anthem that conquered the planet
Song will receive Cultural Impact Award at 2025 Gala SOCAN
Saya Gray: Creating a world defined only by her own boundaries
Critically-acclaimed singer-songwriter breaks through, her w...
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