Rapper D-Sisive defies naysayers with bold return

With prolific multi-media project Knoblich Gardens

Mariel Buckley: Driving Away, Driving Around

She transcends rough roots, but stays an outsider

Gayance: Everything, Everywhere, All At Once

“I’m trying to bring people back to partying, but also t...

Photo Gallery: Valaire Live

Lancement de l’album Jazz Futon

Photo Gallery : RIDEAU 2023

Vitrines musicales de la #ScèneSOCAN au Théâtre Petit-Cha...

Silence in music . . . (rests and suspensions)

Carte blanche à Jenny Salgado

Spiritsaver move from backstage into the spotlight

Producer Zale, songwriter Tajudeen become artists, to do it ...

Mike Sonier explains how he carved out an impressive niche

Billion-streaming songwriter/producer’s shares his winning...

Mayfly: The Power of Letting Go

“We’re fully self-taught, from marketing, to aesthetics,...

On the rise again: Jully Black, Glenn Lewis, Shawn Desman

All releasing new music for first time in a decade

Five Québec rap rookies to watch in 2023

Izuku, Joseph Sarenhes, Sloan Lucas, Guessmi, Chung reveal t...

Sacha breaks through with “What the Truck”

Co-write with The Reklaws lands her in the fast lane

Dylan Sinclair presents No Longer in the Suburbs, deluxe edition

R&B singer-songwriter breaks down his key elements of creati...

Around the world with Kizaba

« C’est l’univers entier que je propose! »

DJs are turning the tables

Disc jockeys 4Korners, Rosegold, Junia-T become artists

Industry: Ray-On, a 360-degree musical offering

Music supervision, rights clearance, original screen music c...

The Breakdown: Song Rights versus Master Rights

What are the differences?

Anna Arrobas’ Shadowy Side

Made to Touch is a little gem of ethereal pop

How Victoria Anthony seized her moment

At 17, she’s reaching millions, in control of her career

The Breakdown: Playing and recording other peoples’ music

How it works, from a copyright perspective