Features


DJs are turning the tables

Disc jockeys 4Korners, Rosegold, Junia-T become artists

Industry: Ray-On, a 360-degree musical offering

Music supervision, rights clearance, original screen music c...

The Breakdown: Song Rights versus Master Rights

What are the differences?

Anna Arrobas’ Shadowy Side

Made to Touch is a little gem of ethereal pop

How Victoria Anthony seized her moment

At 17, she’s reaching millions, in control of her career

The Breakdown: Playing and recording other peoples’ music

How it works, from a copyright perspective

The Best of 2022

Our Contributors’ Top 10 Songs by SOCAN members

Les Shirley : The magic that happens when you give more

Trio enlists Marie-Pierre Arthur on production for More is M...

Milk & Bone: A Lesson in Cocooning

Duo evolves form without distorting substance, on Chrysalism

Nickelback presents Get Rollin’ – its first album in five years

Chad Kroeger, Ryan Peake, on co-writing songs about “the g...

On The Other Side, Chxrry22 does what she wants

First woman signed to The Weeknd’s XO Records

Music as Medicine

Alysha Brilla, Desirée Dawson, Lia Liza share its healing p...

The Renaissance of Anatole

“I wanted to do a 180 and explore another avenue”

Nonso Amadi blooms

Emerging singer-songwriter learns as he goes

Industry News – First Up with RBCxMusic

Helping artists with funding, marketing, education

Daniel Bélanger: A Metaphor for Life

“A song’s lyrics are like [part of] a couple… they nee...

Thaïs: “OK, it’s sad, but let’s dance”

She presents her début album, Tout est parfait

Julian Taylor presents Beyond the Reservoir

New album taps into heartbreaks, salvations of his adolescen...

Jessie Reyez: Godmother of the new vulnerability

On love, self-healing, and the alchemy of songwriting

Charlie Houston’s mental health journey

Addressing what it feels like to fall apart

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