Photo by courtesy of/courtoisie de Martin Véronneau
Video: The Breakdown – Radio tracking – “The Right Ingredients”
Story by Eric Parazelli | Thursday February 25th, 2021
Words & Music is pleased to extend its helpful “how-to” series for our members, “The Breakdown,” into the realm of short, question-and-answer videos.
A radio station’s criteria to choose which songs to play can sometimes seem vague. What are the ingredients required for a song to be selected for airplay? What does it need, and what should it avoid? Martin Véronneau, a radio tracker for Local9, tells us about the right ingredients.
Photo by courtesy of/courtoisie de Martin Véronneau
Video: The Breakdown – “What Is radio tracking? And how much does it cost?”
Story by Eric Parazelli | Monday March 1st, 2021
Words & Music is pleased to extend its run of helpful “how-to” items for our members, with “The Breakdown,” a series of short, question-and-answer videos.
Creating a great song isn’t a goal in and of itself; it’s the beginning of the next stage in that song’s life cycle. The goal, obviously, is for people to hear it. Radio is still a medium of choice to make a song a hit, and a radio tracker can help turn a well-written song into that hit.
When does an artist need a radio tracker? What are the services they offer, and what are the associated costs? Martin Véronneau, a radio tracker for Local9, answers our questions.
Photo by courtesy/courtoisie. Left to right/De gauche à droite : Pierre Flynn, Paul Shaffer.
Canadian Songwriters Hall of Fame to induct “It’s Raining Men” and “La maudite machine”
Story by Canadian Songwriters Hall of Fame / Panthéon des auteurs et compositeurs canadiens | Wednesday February 24th, 2021
The Canadian Songwriters Hall of Fame (CSHF) is pleased to announce the song inductions of “It’s Raining Men” and “La maudite machine” – the former an iconic 1979 dance track that defined the disco era, the latter a 1973 social comment protest that resonated strongly in Québec.
The CSHF will celebrate the song induction of “It’s Raining Men” with a virtual presentation to co-writer and Canadian icon Paul Shaffer, during Global-TV’s The Morning Show, airing Thursday, Feb. 25, 2021 – that will include a performance by Shaffer, in honour of his late co-writer on the song, Paul Jabara. Similarly, “La maudite machine” will be inducted on Saturday, Mar. 6, 2021, during the show Belle et Bum on Télé-Québec, in the presence of songwriter Pierre Flynn, and members of the group Octobre, who recorded it.
The zany concept of a deluge of men became a huge hit in the gay community (despite being written from a woman’s point of view, and sung by The Weather Girls. “We’re thrilled to recognize ‘It’s Raining Men’ and its deserving place in Canadian history. Few songs can share the distinction of reaching No. 1 on three or more occasions, and join the rare company of ‘Bohemian Rhapsody’ and Leonard Cohen’s ‘Hallelujah,’ which was itself inducted to the Canadian Songwriters Hall of Fame in 2006,” said Vanessa Thomas, CSHF Executive Director.
Paul Jabara’s musicality made him a go-to disco songwriter and hit-maker of the ‘70s and ‘80s. His song “Last Dance” earned a Grammy Award, an Academy Award for Best Song, and a Golden Globe. Jabara conceived the idea for “It’s Raining Men” in 1979 for disco queen Donna Summer, for whom he’d written “Last Dance” and the equally chart-topping “No More Tears.” He called upon four-time Emmy nominee and Grammy-winning keyboardist Paul Shaffer, who’d done some arranging for him, and invited him to compose the music. Summer turned down the song, so Jabara recorded it as an instrumental, and found Martha Wash and Izora Armstead, of the vocal duo Two Tons O’ Fun, who’d already had some disco hits. The song was released in 1982 and was an instant dance hit, reaching No. 1 on Billboard’s Dance Club Songs chart. It was nominated for a Grammy for Best R&B Performance by a Duo, and it peaked at No. 2 in the U.K.
The song achieved its second Billboard Dance No. 1 hit when Martha Wash re-recorded “It’s Raining Men: The Sequel” with drag queen RuPaul in 1997. In 2001, former Spice Girl Geri Halliwell released a cover, which hit No. 1 in the U.K., France, Italy, Ireland, and elsewhere.
“La maudite machine” was written by Pierre Flynn, and performed by the band Octobre. “It’s with great pride that we induct and celebrate this emblematic and immortal song that has marked an entire generation of Québecers,” said Vanessa Thomas, Executive Director of the CSHF.
Written by Flynn while he was studying literature at CEGEP St. Laurent in the fall of 1971, “La maudite machine” was first presented to his bassist friend Mario Légaré, then finalized at the beginning of 1972, before being recorded the same year. Octobre’s debut album was released in 1973 and the album entered the charts on September 22nd and stayed there for six weeks, reaching the thirteenth position. Octobre – Flynn (keyboards), Mario Légaré (bass), Jean Dorais (guitar) and Pierre Hébert (drums) – included the song on its eponymous debut album.
The social backdrop for the creation of “La maudite machine” was tense: a strike at the Front commun des syndicats, not to mention the political climate at the time. A whole generation was called to arms. “I was 16, 17 years old and I was starting to come out of my shell and realize that people’s lives weren’t always rosy, that injustice and exploitation existed,” says Flynn. “Later on, I felt like a bit of an impostor for writing this. Did I even have any right to do so, having never known any kind of hardship? Then I understood, in the general racket of the boat being rocked, that we heard then, that I was merely the antenna of a song that had to be written anyway… The song barely played on the radio, maybe because it was too revolutionary, but we did immediately feel its impact around us, especially when we played it live. ‘La maudite machine’ became the peak of the show, the song everyone was waiting for. It’s undeniable that it became emblematic.”
Flynn has since written for other artists, including Pauline Julien, Diane Dufresne, Louise Forestier, and Renée Martel, and he’s also written original scores for film, dance, and theatre. His latest album, Sur la Terre, was released in 2015.
Both “It’s Raining Men” and “La maudite machine” will be added to the Canadian Songwriters Hall of Fame’s permanent and interactive exhibition at the National Music Centre in Calgary, that features a celebrated catalogue of inducted songs that fans can listen to, as well as displays, exclusive artifacts, and one-of-a-kind memorabilia celebrating Canada’s greatest songwriters and songs.