Quebec


Video: 2026 Gala SOCAN interviews, part one

Luc Plamondon and Marjo Reign as the King and Queen of the 2026 SOCAN Gala

Video: Dee Joyce presents “L’heure d’aimer”

An intimate turning point

Grand Eugène: Love, All Over the Place

Aiming to soothe, like a bandage on the heart

Angine de Poitrine: From Cult Oddity to Global Sensation

Sliding into listeners’ minds like an irresistible earworm

APEM’s 2026 Synchros de l’année : Vote Now for the Public Choice Award

Presented as part of the “Quand la musique rencontre l’i...

Five “Queb Rap” Rookies to Watch in 2026

Kinjii00, Mzrabelle, Young Rose, Kamilou, Colin Léo

Marco Ema: Handcrafting Light

“We broke with formality. We asked fewer questions, and we...

Five Québec beatmakers to watch in 2026

Kèthe Magané, Maze, lb66, Astro Psykeman, Housefly

Peter Peter is at the heart of the hit series Heated Rivalry

Original score, and Canadian songs, drive a global televisio...

Decision-Makers: Eve Paré

ADISQ’s General Manager has things well under control

Treize miniatures, Joseph Marchand’s New Laboratory

“You place your fingers somewhere, barely thinking, and so...

Vulgaires Machins : We Are Not Alone

“We’re still here, humans together, and interdependent...

Marie-Hélène L. Delorme : The Québec composer behind the Wayward score

“It’s my special sauce, added to something mainstream”

Editorial Avenue: 25 Years of Human Relations

“We say we manage works, but really, it’s about managing...

Alain Lefèvre: Shadows & Light

“Music can be a great consolation, that re-connects us to ...

Marc Déry’s big, beautiful bonfire

“I wanted something luminous, yet deep”

Ada Lea: The Imperfect Masterpiece

“I’m of the mind that if the music is good enough, the l...

MUTEK 2025: Three Québec artists shine bright

Electronic music / digital art festival runs Aug. 19-24

Christophe Lamarche-Ledoux, screen composer for Peak Everything movie

“If the music doesn’t need anything else to exist, it me...

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