Quebec


Publishing: APEM celebrates 20 years, at the Francos

An interview with the association’s executive director

Decision-Makers: Joëlle Robillard, Executive Director of Musique Nomade

“You can’t cherry-pick a single fight, you have to fight...

Claudia Bouvette : Heaven Can Wait

“Maybe I write songs to liberate myself from something”

Maryze: Breaking the cycle

First album 8 proves she’s mastered the codes of pop

Marilyne Léonard: Inventing her own puzzle

“I’m glad I’m part of this youth cohort that’s wakin...

Advance Québec: Moving Québec’s music industry forward

An interview with Widney Bonfils, Chairman of the Board

Connor Seidel: “1969,” A Quiet Revolution

He evokes mythical musical year with collaborative project

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

Thus Owls’ light journey

“Music doesn’t need to have a name”

Corneille’s lessons

“There was another crisis: the one of words”

TiKA: Fighting for representation in the realm of screen composing

“The whole movie industry needs to change”

Decision-Makers: Krista Simoneau

“My strategy? The right artist in the right place at the r...

NOBRO: As if the world no longer existed

“Rock is a way of life. When you love it, you play it, no ...

#ComposersWhoScore : Three to Watch

Anaïs Larocque, Evan MacDonald, Benoit Groulx

Ariane Roy: Betraying her age

“These songs offer extreme scrutiny of who I am”

Jean-Michel Blais: 100 pages of sheet music later…

“I’m not a revolutionary, I’m a popularizer”

Les Louanges : At the Edge of Truth

“I was tired of hiding behind 2,000 metaphors”

Five Quebec Beat-makers to watch In 2022

Gene Tellem, Melowithdaheat, Nkusi, Beau Geste, RKT BEAT

Five “Queb’” Rap rookies to watch in 2022

Skiifall, Lova, Le Ice, SLM, SeinsSucrer

#ComposersWhoScore : Philippe Brault catches the movie bug

Scores music for feature film Les Oiseaux ivres

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