Quebec


Naya Ali: “I trust the universe”

She offers us “Godspeed: Baptism (Prelude)”

LaF’s Community Rap

Everyone has their role to play in this cabin-based fusion r...

COVID-19 Update: Canadian music ecosystem still gamely adapting

Ongoing activity in the climate of isolation

NAC and Facebook Canada to broadcast online performances by Canadian artists

Other initiatives also being developed

Louis-Jean Cormier: Finding a renewed urgency to create

As he releases “Quand la nuit tombe”

COVID-19 Update: Canadian music community continues to rally

Creative activity broadens as the situation deepens

COVID-19: SOCAN members turn to social networks to keep being heard

A live broadcast project streaming from Le Ministère, in Mo...

Lary Kidd: The Man who’s seen The (Super)man

“This album took me to the next level”

Luis Clavis contemplates his white male privilege

With sarcasm, self-deprecation, vulnerability

RIDEAU 2020 : Environmental Responsibility on Tour, in Venues

Panel features Geneviève Côté, Laurence Lafond-Beaulne, D...

Top Secrets: LGS’ “Thirsty” and “On perd la tête”

Discover the secrets behind those two chart-toppers

Les Hay Babies: Like a Soap Opera

Boîte aux lettres is a concept album based on correspondenc...

William Hennessey: Rapper at Heart

We speak with this truly free spirit

Ludovick Bourgeois: A Team Player

“2” sees him stand on his own two feet… but well ensco...

Festival international de la chanson de Granby: Register now!

The 2020 edition is full of surprises

Mon Doux Saigneur : The Lament of a Generation

“They’re complaints of consternation about the choices p...

Annie Sama: Kill them with kindness

Her music is a thermal shock

Photo Gallery: Clay & Friends

Explosive show marks release of Grouillades

Francouvertes 2020 announces 21 contestants of 24th edition

SOCAN once again partners for event

Maude Audet: All the lives-after-deaths

Tu ne mourras pas has a much more orchestral envelope

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