Quebec


Corneille, Unfiltered

“Often, getting to the bottom of things means remembering ...

Heartstreets: Ready for Takeoff

Duo on the verge of reaping what they’ve sown

Lou-Adriane Cassidy: She’s not just one thing

At 21, she offers timeless sounds, states of mind

#ComposersWhoScore: Nathalie Bonin, L.A. Woman

Conquering movies, TV, videogames

Clay and Friends: A Beautiful Mess

Stage antics, studio experimentation

Ingrid St-Pierre: The Realm of Possibilities

“Petite plage really is just that. It’s me giving myself...

Five “Queb” rap rookies to watch in 2019

Maky Lavender, Naya Ali, Kirouac, Tizzo, White-B

Brandon Mig: Jet-propelled takeoff

Very first single becomes 2018’s most played song on Québ...

Caracol: Constantly Re-defining Her Music

Treading new musical path with Symbolism album

Marie-Mai earns two SOCAN No. 1 Song Awards

Both “Empire” and “Je décolle” hit the top spot on ...

Publishing: Ad Litteram

By the songwriter’s side, for the last 20 years

Major update for L’Édition musicale book

Daniel Lafrance, Serge Provençal pen second edition of refe...

Ouri, Alone on the Frontline

Transmitting her art, from her mind to ours

Thus Owls : Tearing Down The Wall

“Sweet and chill moments, with weirder times… That’s l...

Poet, lyricist Claude Péloquin dead at 76

Co-writer of Robert Charlebois’ “Lindberg” had true im...

GAMIQ 2018: And the Winners Are…

At the 13th annual Gala alternatif de la musique indépendan...

Matiu: Close to His Tribe

Innu artist offers his raw, uninhibited writing style

Renée Martel: Choosing a New Season to Start Over

SOCAN Lifetime Achievement winner launches L’arrière-sais...

Québec’s female artists go pop

A captivating round-table presented by SOCAN and Coup de cœ...

Marie-Mai: A no-holds-barred interview

She no longer lets others dictate the rules