Quebec


In Concert Photo Gallery : Valence, Laurence-Anne, Bon Enfant

An Audiogram initiative, Sept. 16, 2020

Jonathan Personne: Not Just Anybody

Disparitions album revives a time-period he hasn’t even li...

Gala Country 2020: Léa Jarry wins SOCAN Songwriter of the Year Award

Beauséjour, Laurence Jalbert, Patrick Norman win multiple p...

Decision-Makers: Marcella Grimaux

Creative director, visual designer, artistic director

Original Gros Bonnet: The Rite of Spring

“You must accept the fact that evolution takes time”

The 2020 edition of Les Francouvertes returns

SOCAN-sponsored “J’aime mes ex” series is now online

Krief: The Homebody Rocker

“Nowadays, I never look for what’s trending or hot”

Monk.E : The Ugandan Connection

“I’ve grown artistically, socially, and on a human level...

Ragers: Might as well

High-energy rap combo explores twists and turns of French la...

Bernardino Femminielli’s “French Exit”

“I still see what Parisians no longer see”

Prix de la chanson SOCAN: Félix Dyotte accepts his $5,000 prize

He performs “Maintenant ou jamais” with Évelyne Brochu ...

Fred Everything: Steady as He Goes

Deep house DJ/producer’s career going strong for nearly 30...

Backxwash: breaking with the past

Against all odds, she finds herself on the Polaris shortlist

Poirier: Local and universal, like convenience store fireworks

He releases his eleventh album, Soft Power

The well-measured ambition of House of Wolf

Québec producer duo is on the rise

Guylaine Tanguay: “I want to ‘de-tacky-fy’ country music”

With new album and tour of drive-ins, she’s in summer mode

A Practical Guide to developing shows in Western Canada

Created by franconnexion.info and La musique francophone de ...

Shotto Guapo: On the Road to Freedom

“Music is a powerful tool”

Eighteen SOCAN members nominated in 2020 Gémeaux Awards

Technical and Documentary Gala goes online Sept. 17

Publishing: Christophe Piot, founder of Write Here Music

From major companies in France to a “chic boutique” of h...

openpopup