Music Publishing


Dan Swinimer: Producing, developing, and co-writing with respect

“Love what you do and love who you do it with.”

Publishing: Outloud, or The Art of Noise

Julien Bidar and Yann Beauregard-Lemay’s vision bears frui...

Shawn Hook: Singer-Songwriter Finds Strength in Numbers

Though his biggest hits started from scratch, alone

Entrepreneurs: MapleMusic strikes a new beat with Cadence

Covering all angles, going global

Canadian Classics: “Walk Hand in Hand” (1956)

Written by Johnny Cowell, Published by Marwood Music

Simon Kingsbury & Guillaume Lombart: Happy Together

Creator and publisher work as a team

Publishing: Red Brick Songs creates opportunities for songwriters

And builds a roster of those with talent, ambition, attitude

Publishing: Rafael Perez stays the course

Coyote Records head honcho has a clear vision of his trade

Sound Advice: Publishing Agreements

For performances

Entrepreneurs: Artists first at L-A be

More like a “cultural development agency” than a label

Industry News: Thirty Years at Nettwerk

From small indie company to international powerhouse

Publishing: David Murphy’s Labour of Love

“This job may be unsung, but it is fundamental in our indu...

The jackpot of sync licensing?

“There’s a lot of money to be made with synchronization...

Entrepreneurs: Royalty Records – a labour of love

Oldest Canadian country label turns 40

Mediate, don’t litigate

David Basskin resolves rights holder conflicts

Music publisher ole 10 years later

A global success story

Pierre Lachance: Music publisher by necessity

“I had to learn the ropes of the music publishing trade wh...

CP Music Group celebrates 10th anniversary

Passion and teamwork are the keys

Publishing News – Elisabeth Bihl

Change follows the departure of Catharine Saxberg, now at SO...

Publisher Profile:

"We’re here to protect and support composers."

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