Pop


Leith Ross’s “We’ll Never Have Sex” resonates with listeners

Proving that the personal can be universal

Kilometre Music Group, Two Years In

Building “the Times Square of music creators”

Sean Fischer Goes Global

Via major success in Korea, Mexico… and with Celine Dion

Debby Friday’s Good Luck

A unique musical hybrid for the digital age

SOCAN Classics: “Un peu plus haut, un peu plus loin” (1969)

Ironically, Jean-Pierre Ferland never thought this song woul...

The Level-Headed Approach of Super Plage

Magie à minuit offers 10 delicious dance-pop gems you’ll ...

Les sœurs Boulay : 10 memories from 10 years of a career

“What we need to do most is remember the urge to create”

Mike Sonier explains how he carved out an impressive niche

Billion-streaming songwriter/producer’s shares his winning...

Mayfly: The Power of Letting Go

“We’re fully self-taught, from marketing, to aesthetics,...

On the rise again: Jully Black, Glenn Lewis, Shawn Desman

All releasing new music for first time in a decade

SOCAN honours Shaun Frank, AJ Healey with No. 1 Song Award

For co-writing on “Paper Walls”

How Victoria Anthony seized her moment

At 17, she’s reaching millions, in control of her career

Digawolf reflects true North

With gruff voice, sonically manipulated guitars

Milk & Bone: A Lesson in Cocooning

Duo evolves form without distorting substance, on Chrysalism

Daniel Bélanger: A Metaphor for Life

“A song’s lyrics are like [part of] a couple… they nee...

Thaïs: “OK, it’s sad, but let’s dance”

She presents her début album, Tout est parfait

Charlie Houston’s mental health journey

Addressing what it feels like to fall apart

How Jutes was inspired by co-writing with Demi Lovato

After evolving from hip-hop to pop-punk

Matiu: Songs of the torn-apart

Working alongside Louis-Jean Cormier on Tipatshimushtunan

Leah Marlene’s songwriting makes Katy Perry cry

Her journey on American Idol – and beyond

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