Pop


John Nathaniel co-writes OneRepublic benefit song “Better Days”

To raise funds via Spotify streams for musicians hit by COVI...

Allie X: Wanting to be seen

New album Cape God addresses her teenage self

Beat Sexü: Aural Polyamory

Pantoum house band scores extra points with “Deuxième Foi...

renforshort explodes onto the scene

Turning teenage angst into scrappy alt-pop

Basia Bulat: Vulnerability and Experimentation

An in-depth look at the songwriting process for her fifth al...

Luis Clavis contemplates his white male privilege

With sarcasm, self-deprecation, vulnerability

Top Secrets: LGS’ “Thirsty” and “On perd la tête”

Discover the secrets behind those two chart-toppers

Les Hay Babies: Like a Soap Opera

Boîte aux lettres is a concept album based on correspondenc...

In the Spotlight: Indigo

Embracing pop hooks, hip-hop beats

Jeff Hazin: Co-writing, co-producing for Ren, Anna Sofia

Self-deprecating arts obsessive needs to be creative

William Hennessey: Rapper at Heart

We speak with this truly free spirit

Ludovick Bourgeois: A Team Player

“2” sees him stand on his own two feet… but well ensco...

Kayla Diamond: Trading law books for pop hits

Late-blooming singer-songwriter did well to change lanes

Tara MacLean, Andrew Waite win SOCAN songwriter honour at 2020 Music PEI Awards

Dream-pop band Sorrey takes home three trophies

Maude Audet: All the lives-after-deaths

Tu ne mourras pas has a much more orchestral envelope

SOCAN Classics: “C’est Zéro” by Manuel Tadros (1990)

SOCAN Classics: “C’est Zéro” by Manuel Tadros (1990)

AC Vasquez collaborates with Shakira during the Super Bowl

2018 SOCAN International Award winner helms her performance

JUNOs 2020 Nominee Interview: Elijah Woods X Jamie Fine

Latest nomination, next single

Mathew V: Co-writing, singing “outside the box”

Former soul/pop crooner re-invents himself

JUNOs 2020 Nominee Interview: Neon Dreams

On being nominated, and writing songs from youthful experien...

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