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Treize miniatures, Joseph Marchand’s New Lab
Quebec
Treize miniatures, Joseph Marchand’s New Lab
“You place your fingers somewhere, barely thinking, and so...
Marie-Hélène L. Delorme : The Québec composer behind the Wayward score
“It’s my special sauce, added to something mainstream”
Editorial Avenue: 25 Years of Human Relations
“We say we manage works, but really, it’s about managing...
MUTEK 2025: Three Québec artists shine bright
Electronic music / digital art festival runs Aug. 19-24
Christophe Lamarche-Ledoux, screen composer for Peak Everything movie
“If the music doesn’t need anything else to exist, it me...
Karolane Carbonneau: the sweet spot between NOBRO and comment debord
“I think we have no choice but to diversify for things to ...
Blynk and Katrine Sansregret: Opposites Attract
Both featured June 19, in SOCAN showcase at Francos de Montr...
Two Women: A feminist score for a new generation
“We got great advice from Tram7 and Fair Enough,” says d...
Paul Daraîche: 60 years in, the legend lives on
At 78, he’s taking one last lap with Un dernier je t’aim...
Muzion’s “La Vi Ti-Neg,” a neighbourhood anthem that conquered the planet
Song will receive Cultural Impact Award at 2025 Gala SOCAN
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