Quebec


Top Secrets: Cowboys Fringants Song “L’amérique Pleure”

JF Pauzé tune becomes longest-lasting No. 1 hit on Québec ...

#ComposersWhoScore: Jean-Michel Blais honoured with Iris Award

As Gala Québec Cinéma goes online this year

SOCAN Leadership Updates: Chief Québec Affairs & Visual Arts Officer Geneviève Côté

Her role in dealing with Québec’s current issues

Matt Lang and Laurie Leblanc: Heading West

A charm offensive targeting the ROC and the world beyond

Ruffsound and QuietMike: Unsung Geniuses

The producers behind the FouKi’ and Koriass’s “Génies...

Jimmy Hunt: Like a chilled-out knife

“The follow-up often spoils things”

2020 Gala Country finalists announced

SOCAN to sponsor Songwriter of the Year Award

David Goudreault: The Breath of Words

“I’m a victim of my passions. I want to try everything!...

Catherine Major within herself

On “Carte mère,” she’s chosen to not choose

Mara Tremblay In the Springtime

“My only goal is for my music to reach people”

Québec TV/music benefit event “Une chance qu’on s’a”

Broadcast by Télé-Québec and TVA on Sunday, May 10

Jason Sharp: Breath of Life

He’s just finished the soundtrack for Netflix show The Dec...

Cross-Canada collaboration bears fruit in Song Camp Mondays

Co-writers from Victoria, Montréal create “Hostage,” SO...

SOMMM: The whole is bigger than the sum of its parts

Ariane Moffatt, Étienne Dupuis Cloutier de-construct their ...

Seeing the great beyond with Zen Bamboo

GLU album might renew your faith in the future of rock

Maky Lavender: Halfway between confidence and vulnerability

Debut album in synch with current social climate

P’tit Belliveau: Wide-open music for self-isolating people

“I hope people will find a bit of comfort and forget about...

Staying Home with Andréanne A. Malette

“I’m in creative mode”

Apashe: Like a Trap Opera

His “Renaissance” aspires to excellence

Naya Ali: “I trust the universe”

She offers us “Godspeed: Baptism (Prelude)”

openpopup