Quebec


Mara Tremblay: Free, with her loved ones

“I threw away what broke me”

Philippe Brach: Organizing Chaos

“Le Silence des troupeaux” is brief, sombre, dense

Loud looks back on “A Record Year”

Montréaler re-visits the writing of 10 new songs

Setting creativity ablaze with La Bronze

“I want women to stand up and impose their puissance”

An exclusive interview with world-renowned DJ A-Trak

Turntablist, producer, remixer, discusses his craft, history

Ryan Kennedy Finds Inner Peace

But reveals a dark side on wise, gentle sophomore album

Maude Audet: Writing in Balance

Her Ariane Moffatt-produced Comme une odeur de déclin album...

Dany Placard renovates his facade

With sixth solo album, he goes in a new direction

Robert Charlebois: An Extra-Ordinary Career

Meet the man winning both Lifetime Achievement and Cultural ...

Tire Le Coyote: Being Yourself and Nothing Else

“It’s how I sing, and that’s that”

Hugo Mudie Settles the Score

“I will no longer try to justify the style I choose”

Gabrielle Shonk’s Good Habits

Her first album is touching, like a caress

Ramachandra Borcar: “I aim for the perfect union between image and sound”

One of SOCAN’s versatile #ComposersWhoScore, who splits hi...

Julie Aubé & Laura Sauvage: New Horizons

These Hay Babies had to fly solo to release their creative o...

Paupière: Eyes Wide Open

“We’ve lived our Youthful Moments, but we’re humble en...

Going further together, with Pierre Kwenders

“I believe in the saying, ‘Alone we run faster, but toge...

The Barr Brothers: No holds barred

Freewheeling trio improvises around the clock for new album

Pierre Lapointe explains La Science du Cœur

Touching on universal themes with the tips of his words

FME 15: Recipe for Success

Festival de musique émergente in Abitibi-Témiscamingue pul...

Publishing: Éditorial Avenue

The Global Vision of Daniel Lafrance