Quebec


Thaïs: “OK, it’s sad, but let’s dance”

She presents her début album, Tout est parfait

SOCAN helps showcase emerging Montréal Anglophone members in Los Angeles

Aiza, Clerel, Kallitechnis among beneficiaries of new progra...

#ComposersWhoScore : Organ Mood In “Viking” Mode At TIFF

Christophe Lamarche-Ledoux and Mathieu Charbonneau score St...

Narcisse: De-constructing Everything

“I’m not sure the industry would’ve been ready for all...

Matiu: Songs of the torn-apart

Working alongside Louis-Jean Cormier on Tipatshimushtunan

Tronel: Beyond The Anticipateurs

“Some make real rap; I make surreal rap”

One-Man Orchestra Paul Jacobs

"Designing the cover, performing, drumming, playing guitars,...

Wesli: Keeping Music as a Souvenir

“We didn’t take what our ancestors left us seriously”

Publishing: APEM celebrates 20 years, at the Francos

An interview with the association’s executive director

Decision-Makers: Joëlle Robillard, Executive Director of Musique Nomade

“You can’t cherry-pick a single fight, you have to fight...

Claudia Bouvette : Heaven Can Wait

“Maybe I write songs to liberate myself from something”

Maryze: Breaking the cycle

First album 8 proves she’s mastered the codes of pop

Marilyne Léonard: Inventing her own puzzle

“I’m glad I’m part of this youth cohort that’s wakin...

Advance Québec: Moving Québec’s music industry forward

An interview with Widney Bonfils, Chairman of the Board

Connor Seidel: “1969,” A Quiet Revolution

He evokes mythical musical year with collaborative project

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

Thus Owls’ light journey

“Music doesn’t need to have a name”

Corneille’s lessons

“There was another crisis: the one of words”

TiKA: Fighting for representation in the realm of screen composing

“The whole movie industry needs to change”

Decision-Makers: Krista Simoneau

“My strategy? The right artist in the right place at the r...

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