Quebec


Advance Québec: Moving Québec’s music industry forward

An interview with Widney Bonfils, Chairman of the Board

Connor Seidel: “1969,” A Quiet Revolution

He evokes mythical musical year with collaborative project

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

Thus Owls’ light journey

“Music doesn’t need to have a name”

Corneille’s lessons

“There was another crisis: the one of words”

TiKA: Fighting for representation in the realm of screen composing

“The whole movie industry needs to change”

Decision-Makers: Krista Simoneau

“My strategy? The right artist in the right place at the r...

NOBRO: As if the world no longer existed

“Rock is a way of life. When you love it, you play it, no ...

#ComposersWhoScore : Three to Watch

Anaïs Larocque, Evan MacDonald, Benoit Groulx

Ariane Roy: Betraying her age

“These songs offer extreme scrutiny of who I am”

Jean-Michel Blais: 100 pages of sheet music later…

“I’m not a revolutionary, I’m a popularizer”

Les Louanges : At the Edge of Truth

“I was tired of hiding behind 2,000 metaphors”

Five Quebec Beat-makers to watch In 2022

Gene Tellem, Melowithdaheat, Nkusi, Beau Geste, RKT BEAT

Five “Queb’” Rap rookies to watch in 2022

Skiifall, Lova, Le Ice, SLM, SeinsSucrer

#ComposersWhoScore : Philippe Brault catches the movie bug

Scores music for feature film Les Oiseaux ivres

DJ Killa-Jewel: Head in the Stars

With Sagittarius, world-renowned turntablist begins new chap...

GAMIQ 2021: and the winners are…

At the 16th Gala alternatif de la musique indépendante du Q...

La Zarra’s old-school road to stardom

Young woman from Longueuil already giving France goosebumps

Céleste Lévis: Head on her shoulders

“The only time I’m not in pain is when I’m high on adr...

FM Le Sieur: The Magic of Accidents

Musician oscillates between screen composing and solo projec...

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