Features


Andrew Lee composes first score, for North Korean hockey doc

Film editing choices often dictated by his music

How’d it happen? “Abatina” goes from Kobo Town to Santana

Via Calypso Rose, and negotiation with Roaring Lion’s son

Mon Doux Saigneur : The Lament of a Generation

“They’re complaints of consternation about the choices p...

Annie Sama: Kill them with kindness

Her music is a thermal shock

Photo Gallery: Clay & Friends

Explosive show marks release of Grouillades

Kayla Diamond: Trading law books for pop hits

Late-blooming singer-songwriter did well to change lanes

Maude Audet: All the lives after the deaths

Tu ne mourras pas has a much more orchestral envelope

Hitmakerz: Advocating for the Nunavut sound

Label founder Thor Simonsen is on a mission

Tarun Nayar and the 5X Fest

Uniquely championing South Asian youth culture

SOCAN Classics: “C’est Zéro” by Manuel Tadros (1990)

The song, popularized by Julie Masse, turns 30 in 2020

Mathew V: Co-writing, singing “outside the box “

Former soul/pop crooner re-invents himself

Caveboy: friends, creative partners grow up together

Synth-pop trio’s first album is a summit of their relation...

Pierre-Luc Rioux: Get in line!

Building bridges between L.A. and Montréal

Brown Family: Like father, like sons

All thanks (almost) to a Fisher-Price tape recorder…

In Concert Photo Gallery: Marie-Pierre Arthur

She announced a surprise gig to mark the release of “Des f...

Alex Henry Foster: A communion for the present moment

Whether in a band or as a solo artist, he seeks transcendenc...

In Concert Photo Gallery: iskwē

January 7, 2020

Bon Enfant’s lucky star

How their unexpected critical success came to be

Roxane Bruneau : Internet Connection

Taking stock before moving on

Carly Paradis: Making epic music of the human condition

Successful screen composer releases third solo album