WD-40: Surviving The Deluge

Heartbreak at the heart of the cult band’s reunion

Sound Advice: Maylee Todd’s Indie Musician Toolkit

A dozen ways to help you move forward

Nicole Lizée: Woman Machine

Jan V. Matejcek Award winner fascinated by obsolete technolo...

The Weather Station writes, records her “most ballsy” album

Tamara Lindeman gets more assertive, earning rave reviews

Hugo Mudie Settles the Score

“I will no longer try to justify the style I choose”

Multi-talented “fetish rapper” breaks through to fashion mainstream

In the Spotlight: Tommy Genesis

Lights writes a concept album – and a comic book

Hardworking singer-songwriter challenges, surprises herself

Julie Aubé & Laura Sauvage: New Horizons

These Hay Babies had to fly solo to release their creative o...

Émile Bilodeau’s controlled skid

His school of music? Touring, the road and the stage

In the Spotlight: The Courtneys

In search of the perfect song

Das Mörtal: To Berlin… and back

Cristobal Cortes deploys synthwave grooves in increasingly u...

Allie X has earned more than 12 million streams on Spotify alone

But she’s still confused about exactly who she is

“For me, music and agriculture go hand in hand”

With its “farmer punk” music, Carotté reaps what it sow...

”Pop-noir” stylists turn toward hip-hop

In the Spotlight: Del Bel

In The Spotlight: AHI, Partner, Stella Rio

Emerging acts in folk, pop-punk, and R&B

Sound Advice: How SOCAN facilitates songwriting

SOCAN Houses, Song Camps, Sound Lounge Writing Room

Leif Vollebekk: Spontaneous Generation

Vast majority of Twin Solitude recorded live, with his band

Urvah Khan: “The First of Something”

Pakistani-Canadian blends punk, rap, rock, world music

Alejandra Ribera: The Great Journey Inwards

“I want my music to defy trends and be timeless”

Mother Mother: Identity Crisis

Self-questioning is a central theme for No Culture