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2026 Gala SOCAN interviews, part two
We’re back with the second round of our red-carpet intervi...
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SOCAN Song of the Week: Eli Rose – “Elle tient debout”
Eli Rose leans into a disco-inflected sound on “Elle tient...
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Luc Plamondon and Marjo Reign as the King and Queen of the 2026 SOCAN Gala
SOCAN presents AI opportunities and challenges to Canadian Senate committee
Why transparency is critical to AI conversations with music ...
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SOCAN’s 2026 Annual General Meeting highlights
AI, advocacy work, another year of record-breaking revenue
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Canadian Songwriters Hall of Fame announces 2026 inductees
This year’s cohort includes The Tragically Hip, Feist, Lov...
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Baby Nova’s “Too Pretty for Buffalo”
How the Song Happened
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Francouvertes: Fyore, Irdens Exantus and Luan Larobina headed for the finals
SOCAN Foundation launches inaugural South Asian Music Prize
$10,000 prize presented by SiriusXM Dhamaka
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Tia Woods’ “Sage My Soul” wins her a SOCAN No. 1 Song Award
For topping Indigenous Music Countdown chart
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Three Days Grace earn a SOCAN No. 1 Song Award for “Mayday
For topping two charts at once
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Trews’ “The Breakdown” lifted up with SOCAN No. 1 Song Award
Two sets of rock-band brothers fuel chart-topping hit
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Siibii’s “Body to Body” earns a SOCAN No. 1 Song Award
For topping Indigenous Music Countdown chart
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CISAC Report: Private copying still generates income for music creators
Even as digital tech changes the game
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Editor Howard Druckman is leaving SOCAN
Champion of Canadian Music
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SOCAN welcomes new Editorial Content Creators
And celebrates internal promotion
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Sebastian Gaskin’s “Cherie Amour” wins him a SOCAN No. 1 Song Award
First-ever SOCAN award for topping Indigenous Music Countdow...
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