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Richard Grégoire, 1944-2025 : Québec loses one of its greatest screen composers
Michel Corriveau, Anaïs Larocque reflect on his legacy
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How Justin Fancy became a songwriter, as well as a singer
And learned stagecraft from years playing cover songs in bar...
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SOCAN, ACCORD make final submissions in CRTC consultation
Advocating for Canada’s music creators
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CISAC, SOCAN meet with Prime Minister Mark Carney to discuss AI
Advocating for consent, credit, compensation for music creat...
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SOCAN Promotes Alexandre Alonso to Vice President, Québec and Francophone Affairs
Reinforcing SOCAN’s member-centric vision
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Video: Loud presents Douze sur douze
“I didn’t want to write only for those who know the refe...
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Ebril’s In Copula: From Solo Creation to Viral Sensation
“I built the world I needed”
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Gala Québec Cinéma 2025 : Phlippe Brault, Demain Déluge win Iris Awards
For the film Bergers and the documentary Simon & Marianne, r...
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Video: What do Québec youth think about Québécois music? They – and the artists – tell us
How can we encourage teens to listen to more local music?
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Jenson Vaughan’s “Let ‘Em Know” becomes Shaboozey’s NFL Thursday Night Football theme
How did it happen?
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GAMIQ 2025: Angine de Poitrine crowned Artist of the Year
Gala alternatif de la musique indépendante du Québec celeb...
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SOCAN Academy: Power of vocal production with Pierre-Luc Rioux
Discover why vocal production is one of the most powerful sk...
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Treize miniatures, Joseph Marchand’s New Laboratory
“You place your fingers somewhere, barely thinking, and so...
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Photo Gallery: Coup de cœur francophone 2025
Lighting up Montréal in November
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Screen Music Lab: Another Rewarding Edition Focused on Videogames
2025 program presented by SOCAN Foundation in partnership wi...
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Video: 2025 ADISQ Gala Interviews, Part Three
Matt Lang, Pierre Kwenders, Thaïs, Ramon Chicharron, Bon En...
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Important Codes & Numbers
Managing your Metadata and Royalties
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