Features


“Black history, Black future”

What would a “post-racial” future look like? And how do...

Karolan Boily: Writing to Understand Herself

“I’m a soul pyromaniac, but I’m harmless”

Five Québec rap rookies to watch in 2024

Discover Malko, Érika Zarya, King Fali, S’tano, GreenWood...

Beverly Glenn-Copeland releases first album in almost 20 years

80-year-old has enjoyed unexpected career renaissance in the...

Music for Good: The Lullaby Project

Songwriters team with new or expectant mothers to create lul...

The Best of 2023

Our Contributors’ Top 10 Songs by SOCAN members this year

Walking Through the Fire (of Truth and Reconciliation)

Sultans of String collaborate with Indigenous musicians

For Aphrose, motherhood clarified her purpose

Neo-soul singer moves from background to forefront

Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

#ComposersWhoScore : Medhat Hanbali, The Specialist

A conversation about the trade and how it’s learned

Jayli Wolf goes inward to reveal “the real me”

Anishinaabe/Cree multi-hyphenate focuses on music

Terra Lightfoot’s Unique Path

A mountaintop epiphany changes her trajectory

For Fefe Dobson, melody comes first

Returning on a wave of resurgent pop-punk

Rêve: Writing to Make You Dance

“I felt I needed to be taken seriously as a songwriter”

SOCAN at MaMA Festival in Paris

We interview Fredz, Mimi O’Bonsawin, Mayfly, Ariane Roy

Arielle Soucy : Songs You Can Inhabit

She’s presenting her first album, “Il n’y a rien que j...

Gala Country: The Year’s Five Breakthrough Artists

Discover artists nominated in 2023 edition

Dominique Fils-Aimé, from the roots to the treetops

New trilogy begins with plant life connection to Mother Eart...

Fléau Dicaprio : somewhere between first and second degree

He explodes on the rap Québ scene with “Chien mangé chie...

Engaging storyteller Danny Michel puts it all out on the table

Overcoming isolation, writers’ block to deliver Ghost Town...

openpopup