Electronic


The Weather Station hits critical bullseye with current album

Powerful songwriting proves our environmental ignorance is n...

#ComposersWhoScore: Todor Kobakov supports the story

Using a variety of sounds to transmit atmosphere and mood

Misc: A Sense of Urgency

“I don’t have a Plan B, and there won’t be one!” –...

Adam K and Drew North of Hotbox Digital Music

Songwriting is the key for production duo

In the Spotlight: Nostalgix

Making the transitions from DJ to singer to musician

La Fièvre: Re-connecting with your clan

“We’re trying to re-connect with a sense of community th...

CRi: Controlled Chaos

“I’d love it if Monique from Baie-Comeau listened to my ...

SOCAN Awards 2020 Video Interview: LIGHTS & Felix Cartal

Dynamic duo wins Dance Music Award for “Love Me”

Songs by Men Without Hats, Rankin Family, Rough Trade inducted into Canadian Songwriters Hall of Fame

“Safety Dance,” “Pop Goes the World,” “Fare Thee W...

Club Q, the hottest spot North of Corona

Casey MQ’s online dance party explodes during COVID-19 pan...

Kiesza returns with Crave

After six years, and a traumatic brain injury

Fred Everything: Steady as He Goes

Deep house DJ/producer’s career going strong for nearly 30...

Robert Robert: Giving beats a story

“Club music also exists in the context where it’s played...

Publishing: Christophe Piot, founder of Write Here Music

From major companies in France to a “chic boutique” of h...

The Ultimate Guide to the Alaclair Ensemble family

Influential “Rap Queb” collective reviews its repertoire...

Catherine Major within herself

On “Carte mère,” she’s chosen to not choose

Anachnid: She sings with wolves

“I increasingly understand what I do and why I’m here”

SOMMM: The whole is bigger than the sum of its parts

Ariane Moffatt, Étienne Dupuis Cloutier de-construct their ...

Apashe: Like a Trap Opera

His “Renaissance” aspires to excellence

Allie X: Wanting to be seen

New album Cape God addresses her teenage self

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