Electronic


Alias : Playing on All Fronts

“You must strike while the iron is hot!”

Kroy: The Need to Suffer

With MILITIA, built over a decade, she steps back to ponder ...

Composer Cris Derksen’s Controlled Burn

Cellist braids together Indigenous, electropop, and classica...

MUTEK: At the heart of Montréal’s electronic music scene for 25 years

“Constantly keeping up with what’s going on is a full-ti...

Vandelux: Hedge fund COO becomes full-time singer-songwriter

Ever-evolving electronic/dance musician hits 80 million stre...

Beverly Glenn-Copeland releases first album in almost 20 years

80-year-old has enjoyed unexpected career renaissance in the...

Keys N Krates: Let’s play house

From electronic eclecticism to focused simplicity

La Force : Through Thick and Thin

“Ultimately, no one is protected from death”

Moses Belanger’s musical coming-out

“SOCAN’s Kenekt Studio camp gave me the kick in the butt...

Six “Queb” beatmakers to watch, 2023 edition

Close-up on the ones changing Québec’s musical landscape

Debby Friday’s Good Luck

A unique musical hybrid for the digital age

Sean Fischer Goes Global

Via major success in Korea, Mexico… and with Celine Dion

Gayance: Everything, Everywhere, All At Once

“I’m trying to bring people back to partying, but also t...

Xela Edna & Eius Echo: Music as a performance sport

“We want to make a physical demonstration, to feel alive...

TDJ: Geneviève Ryan-Martel, Re-invented

From Playground to playground

Sara-Danielle: Another Self

“I want to feel free and, I don’t know… like I’m mov...

ElyOtto’s “SugarCrash!”: fourth most-liked TikTok ever, and 100 million Spotify streams

Writing some of the most popular songs on earth… while rid...

DJ Killa-Jewel: Head in the Stars

With Sagittarius, world-renowned turntablist begins new chap...

Video Interview: Anachnid’s Musical Medicine

She wins Aboriginal Artist of the Year Award

Apply now for Musicworks 2021 Electronic Music Composition Contest

Submission Deadline: December 20, 2021

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