Songwriting/Composing


Staying Home with Jessie Reyez

A wide-ranging video conversation in the fresh wake of her d...

Staying Home with Andréanne A. Malette

“I’m in creative mode”

Apashe: Like a Trap Opera

His “Renaissance” aspires to excellence

Abigail Lapell, Bernard Adamus, Diyet van Lieshout win songwriting awards at 2020 CFMAs

Small Glories win big at first online edition of annual folk...

OKAN make Toronto-inspired, pan-global music

Busy Cuban-Canadian duo find strength by combining creativit...

John Nathaniel co-writes OneRepublic benefit song “Better Days”

To raise funds via Spotify streams for musicians hit by COVI...

Laila Biali gets personal

As tragedies fuel life-affirming inspiration

Naya Ali: “I trust the universe”

She offers us “Godspeed: Baptism (Prelude)”

Jesse Zubot: They shoot, he scores

Multi-talented musician now established as a screen composer

Allie X: Wanting to be seen

New album Cape God addresses her teenage self

LaF’s Community Rap

Everyone has their role to play in this cabin-based fusion r...

Beat Sexü: Aural Polyamory

Pantoum house band scores extra points with “Deuxième Foi...

Self-Isolation: A source of inspiration for SOCAN members

“There’s going to be a baby boom and an album boom!” ...

renforshort explodes onto the scene

Turning teenage angst into scrappy alt-pop

Louis-Jean Cormier: Finding a renewed urgency to create

As he releases “Quand la nuit tombe”

SOCAN participates in Tune Up/The Bout panel co-presented by Women in Music Canada

“Monetize Your Music” event also sponsored by Music Onta...

In the Spotlight: Alex Ernewein

Daniel Caesar co-producer adds samples to Kanye album

Lary Kidd: The Man who’s seen The (Super)man

“This album took me to the next level”

SOCAN screen composers Mychael and Jeff Danna score No. 1 movie, Onward

Story of the movie mirrors their own lives

Basia Bulat: Vulnerability and Experimentation

An in-depth look at the songwriting process for her fifth al...

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