The Beaches: Rock ‘n’ Roll Revival

Fueled by first-person songs of experience

Upstarts: Moscow Apartment

Award-winning duo of 15-year-olds already growing from folk ...

Zen Bamboo’s Fountain of Youth

Suburban band has big dreams

Galaxie presents Super Lynx Deluxe

A radical sonic leap forward

WD-40: Surviving The Deluge

Heartbreak at the heart of the cult band’s reunion

Remembering Gord Downie

For songs that bring us closer in, toward reconciliation

The Weather Station writes, records her “most ballsy” album

Tamara Lindeman gets more assertive, earning rave reviews

Mara Tremblay: Free, with her loved ones

“I threw away what broke me”

Theory of a Deadman earn SOCAN No. 1 Song Award for “Rx (Medicate)”

SOCAN holds “surprise” presentation to honour song

Ryan Kennedy Finds Inner Peace

But reveals a dark side on wise, gentle sophomore album

Dany Placard renovates his facade

With sixth solo album, he goes in a new direction

Robert Charlebois: An Extra-Ordinary Career

Meet the man winning both Lifetime Achievement and Cultural ...

Tire Le Coyote: Being Yourself and Nothing Else

“It’s how I sing, and that’s that”

Hedley: Constantly Inconstant

Chief songwriter Jacob Hoggard proudly evolving the band’s...

Julie Aubé & Laura Sauvage: New Horizons

These Hay Babies had to fly solo to release their creative o...

In the Spotlight: The Courtneys

In search of the perfect song

Guitars, Fuzz and “Vulva Sports”

« On est féministes, avec la nouvelle approche qui vise l...

Broken Social Scene: Strangers in their hometown?

Pioneering Toronto indie-rock band returns after six-year la...

A brief backstage chat with Bryan Adams

At The 2017 SOCAN Awards

Voivod: Thrash ‘til The End

After 35 years and thousands of shows worldwide, Voivod is i...