Mara Tremblay: Free, with her loved ones

“I threw away what broke me”

Theory of a Deadman earn SOCAN No. 1 Song Award for “Rx (Medicate)”

SOCAN holds “surprise” presentation to honour song

Ryan Kennedy Finds Inner Peace

But reveals a dark side on wise, gentle sophomore album

Dany Placard renovates his facade

With sixth solo album, he goes in a new direction

Robert Charlebois: An Extra-Ordinary Career

Meet the man winning both Lifetime Achievement and Cultural ...

Tire Le Coyote: Being Yourself and Nothing Else

“It’s how I sing, and that’s that”

Hedley: Constantly Inconstant

Chief songwriter Jacob Hoggard proudly evolving the band’s...

Julie Aubé & Laura Sauvage: New Horizons

These Hay Babies had to fly solo to release their creative o...

In the Spotlight: The Courtneys

In search of the perfect song

Guitars, Fuzz and “Vulva Sports”

« On est féministes, avec la nouvelle approche qui vise l...

Broken Social Scene: Strangers in their hometown?

Pioneering Toronto indie-rock band returns after six-year la...

A brief backstage chat with Bryan Adams

At The 2017 SOCAN Awards

Voivod: Thrash ‘til The End

After 35 years and thousands of shows worldwide, Voivod is i...

“We’ve always been relentless about trying to play as much as we can”

In The Spotlight: The Middle Coast

Making Sense of the 2017 Polaris Long List

Selections underscore musical diversity

Louve: Girl Power

100% female show will rock the FrancoFolies

“For me, music and agriculture go hand in hand”

With its “farmer punk” music, Carotté reaps what it sow...

Samuele: A Taste for Freedom

A winged artist with tiny horns

Sound Advice: How SOCAN facilitates songwriting

SOCAN Houses, Song Camps, Sound Lounge Writing Room

Urvah Khan: “The First of Something”

Pakistani-Canadian blends punk, rap, rock, world music