Louve: Girl Power

100% female show will rock the FrancoFolies

“For me, music and agriculture go hand in hand”

With its “farmer punk” music, Carotté reaps what it sow...

Samuele: A Taste for Freedom

A winged artist with tiny horns

Sound Advice: How SOCAN facilitates songwriting

SOCAN Houses, Song Camps, Sound Lounge Writing Room

Urvah Khan: “The First of Something”

Pakistani-Canadian blends punk, rap, rock, world music

Joey Landreth: Balancing home and the road

Triple-threat digs deep into roots of emotion

Mother Mother: Identity Crisis

Self-questioning is a central theme for No Culture

Les Deuxluxes: Sex, Love & Fleur de Lys

Rock ‘n’ roll duo contrasts starkly with current musical...


We flip through his “Almanach” with him

Myles Goodwyn: How April Wine started as an all-originals band

Frontman and chief songwriter recalls crucial decision

Les Dales Hawerchuk : The Smell of Gasoline

Pedal to the metal on fourth album, Désavantage numérique

In The Spotlight: The Motorleague, Maddison Krebs, Sebell

Three SOCAN members on the way up

First Nations pop/rock band Midnight Shine

Hunting in the North, touring in the South

Adam Baldwin: Late bloomer breaks through with debut album

Matt Mays’ guitarist achieves enviable success on his own

Lisa Leblanc: Queen on the Move

Maritime girl back where we don’t expect her

Billy Talent soar to new heights

Working to the beat of a different drum – for now

SOCAN Classics : “N’importe quoi,” “Terre promise (poussé par le vent),” “Marie-Stone” (1994)

Éric Lapointe on how he wrote three of his classic hits

Art Bergmann: The Apostate Arises

Fresh music from a lifelong songwriter

In the Spotlight: Nap Eyes, Little Scream, Featurette

Emerging acts in indie rock, pop and electronic

Entrepreneurs: All About That Buzz (Records)

Ian Chai’s noisy music label breaks out globally