DVTR: The Power of Experience

“There’s no mosh pit in Le Couleur. Maybe that’s all t...

Adrian Sutherland: Precious Diamonds, Cree Confessions

Balancing big city success with remote First Nations communi...

Terra Lightfoot’s Unique Path

A mountaintop epiphany changes her trajectory

Digawolf reflects true North

With gruff voice, sonically manipulated guitars

Hippie Hourrah: A Willingness to Get Lost

“What’s interesting is the guiding principle”

How Victoria Anthony seized her moment

At 17, she’s reaching millions, in control of her career

Nickelback presents Get Rollin’ – its first album in five years

Chad Kroeger, Ryan Peake, on co-writing songs about “the g...

The Renaissance of Anatole

“I wanted to do a 180 and explore another avenue”

Matiu: Songs of the torn-apart

Working alongside Louis-Jean Cormier on Tipatshimushtunan

One-Man Orchestra Paul Jacobs

"Designing the cover, performing, drumming, playing guitars,...

Digging Roots bring unconditional love from Anishinaabe origins

Making “heartbeat music that carries sweet medicine”

Chester Krupa: His journey from hustling beats to producing stars

Always making music, in all genres

SATE: From self-doubt to revelation

“This is my rock! This is my voice!”

In the Spotlight: Nano Talrose

From soft pop balladry toward slightly rockier sounds

Lights: Making pop with PEP

And rocking harder than ever

Lou-Adriane Cassidy: Is this fun, or what?

“It’s not because the songs are short that they’re lik...

In Concert: Feist, Toronto

October 21, Meridian Hall

From Windsor to Nashville with Jake Diab

Ambitious musician is a Jack-of-all-trades

AXLAUSTADE: Generation 90

Anything but a nostalgia project

In Concert Photo Gallery: The George Street Festival

August 27 – September 1, 2021