Anik Jean was awarded the Film Music honour at the 30th SOCAN Awards Gala on Sept. 22, 2019, at Montréal’s La Tohu, for scoring the movie Bon Cop Bad Cop 2. She was accompanied by her husband – and the film’s screenwriter, producer, and one of its lead actors – Patrick Huard. SOCAN asked them about their collaboration, and creative process, on the movie’s soundtrack.
From Sept. 25–29, 2019, the 18th annual edition of the POP Montréal music festival had more than 60,000 people dancing all over the city. The not-for-profit cultural event champions artistic independence, and features the best emerging artist from all around the world. Once more this year, SOCAN partnered with POP Montréal to present two beat-making workshops on Sept. 27, at the Rialto Theatre, in Montréal’s Mile End neighbourhood.
The first, which sold out days in advance, was a beat-making workshop featuring Ouri, Tati au Miel, and Tshizimba. The three Montréal-based producers were paired with four people for an intensive beat-making session. The atmosphere was intimate and warm, and it was evident that creativity was percolating.
The second workshop was more akin to a conference event. Recettes de beats (Beat Recipes) was presented to a crowd of captivated participants, each with their notebook at the ready. The goal of this gathering was to give beatmakers-to-be some privileged access to the production techniques and tricks of an established artist. During the event, Montréal producer Foxtrott, alongside SOCAN A&R rep Widney Bonfils, talked about her creative and professional evolution, before moving on to her production tips and tricks, her techniques, and the softwarethat she uses to create.
Foxtrott explained that it took her several years before fully realizing the scope of possibilities in her musical universe. She discovered electronic music when she was younger, and technology wasn’t what it is today, so she started creating beats on her parents’ computer and various electronic toys.
“I would get into my Gameboy settings and go to the section where all the game sounds were located,” she said, “and I would create small beats using the very limited sound bank. I didn’t even realize I was creating music.”
Nowadays, Marie-Hélène Delorme, a.k.a. Foxtrott, is a fully accomplished artist, but she travelled a long road to get to this point. She grew up in a decidedly un-musical family, and at a time when there were few female producer role models. She admitted that that’s probably why she kept her projects secret for a very long time.
There’s no doubt that the attendees of these beat-making workshops walked away with richer production techniques in mind, and realized that there’s more than one path to success – because musical inspiration and exploration is everywhere.
Lili Fatale’s arrival on the scene, in 1997, was a big surprise, and the band’s first album’s mission was to modernize pop music in Québec. Two singles, “Mimi” and “Feels” in particular, resonated with audiences in Québec, Canada, and Europe. Each of the two songs received a SOCAN Classic Award at the 30th SOCAN Gala, held on Sept. 22, 2019, at Montréal’s La Tohu. SOCAN met with Nathalie Courchesne, Richard Binette, Uranian Valceanu, and Martin Beaulieu to talk about the stories behind the songs, and the circumstances of the band’s breakup after their second album.